Carl Maria von Weber
![Carl Maria von Weber (1821), by [[Caroline Bardua]]](https://upload.wikimedia.org/wikipedia/commons/4/42/Caroline_Bardua_-_Bildnis_des_Komponisten_Carl_Maria_von_Weber.jpg)
Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and ''Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso clarinetist Heinrich Baermann. His mature operas—''Silvana'' (1810), ''Abu Hassan'' (1811), ''Der Freischütz'' (1821), ''Die drei Pintos'' ( 1820–21), ''Euryanthe'' (1823), ''Oberon'' (1826)—had a major impact on subsequent German composers including Marschner, Meyerbeer, and Wagner; his compositions for piano influenced those of Mendelssohn, Chopin and Liszt. His best known work, ''Der Freischütz'', remains among the most significant German operas. Provided by Wikipedia
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