Siete notas a propósito de El arte de la fuga de Luis Sagasti
A notable feature of Luis Sagasti’s poetics is the relationship between non-verbal arts and literature. The dialogues between music, painting, and literature, which are a constant in his writing, are formalized more clearly in the construction of the aesthetic object book-musical cd El arte de l...
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| Publicado en: | Boletín GEC |
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| Autor principal: | |
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| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=12160 |
| Sumario: | A notable feature of Luis Sagasti’s poetics is the relationship
between non-verbal arts and literature. The dialogues between music,
painting, and literature, which are a constant in his writing, are formalized
more clearly in the construction of the aesthetic object book-musical cd El
arte de la fuga (2016), with illustrations by Ana Sanz Durán and music by
Nico Cota of Editorial Treintayseis. The story of the characters, musical
figures who decide to escape from the pentagram, is narrated through
different languages that establish multiple relationships among
themselves. In this article, we aim to explore from some notes the
aesthetic proposal of the book that is constructed as a metafictional
device, insofar as it challenges the reader by calling attention to its mode
of construction. |
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