Música contemporánea latinoamericana para guitarra a partir de 1950
Gather composers for guitar from 1950 in Latin American countries. Determine which are the compositional techniques and their contributions to the technical development of the instrument. Contribute to the dissemination of contemporary music from a musicological and sociological perspective (5th sta...
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| Autores principales: | , , , , , , , , , , , , , , , , , , |
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| Publicado: |
2019
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| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=14444 |
| Sumario: | Gather composers for guitar from 1950 in Latin American countries. Determine which are the compositional techniques and their contributions to the technical development of the instrument. Contribute to the dissemination of contemporary music from a musicological and sociological perspective (5th stage). Hypothesis: The knowledge of de material and compositions techniques of Latin American contemporary repertoire from 1950, lead to the instrument to a remarkable evolution in digital and technical possibilities enhancing musical expression. Methodology: 5th stage of data collection. Selection and classification of information, sources Critical appraisal, selection of significant works. Comparative study of compositional resources. Playing the instrument. Synthesis and drawing conclusions. Resources. Musical equipment. Video camcorder. Guitars. Music sheets. photocopies. Product: to determine the incidence of Latin American music in the musical aesthetic behavior of the interpreter and sociocultural environment. The general catalog of works and composers addressed in previous stages is incorporated during this last stage in a digital database. A manager interface that uses SQL (Structured Query Language) is developed. Both the database and the interface will be able to be integrated into any server, whether web or local, for dissemination and consultations. The recording and the subsequent publication of the studied material in CD is in progress by the team members. Partial and final conclusions obtained are given. Transfer: The benefits of this work will be transferred to centers of musicological studies and music teachers in Mendoza, Argentina y Latin American countries through its publication. At university level will be presented in seminars of musical interpretation of the National School of Plastic Arts of the Cuyo University, incenters of study and performance of music, lectures, scientific conferences research, public and special classes, concerts and auditions. Benefits: the interest of students in research will be intensified, creating a space for the interpretation of Latin American music. Knowledge of the catalog will be expanded and will value this music sheets repertoire, often unknown, that may be implemented in various musical centers in the country and abroad. |
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