Reflexiones sobre Van Gogh y su obra
Much has been written about the life and work of Vincent Van Gogh. However, the present work aims to address its complex existence through new reflections that allow us to unravel through an expanded perspective, the web of senses that went through his life marked by nineteenth-century tensions. The...
Guardado en:
Publicado en: | Cuadernos de Historia del Arte |
---|---|
Autores principales: | , |
Materias: | |
Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=15174 |
todos_str_mv |
15152 7535 FFYL spa UNCuyo FFyL UNCuyo FFyL |
---|---|
disciplina_str_mv |
Artes visuales y escenográficas |
descriptores_str_mv |
Historia y crítica Neoimpresionismo Van Gogh, Vincent |
autor_str_mv |
Leonforte, Andrea Roiz, Laura |
description_str_mv |
Much has been written about the life and work of Vincent Van Gogh. However, the present work aims to address its complex existence through new reflections that allow us to unravel through an expanded perspective, the web of senses that went through his life marked by nineteenth-century tensions. The proposal is framed within what Merleau Ponty works on the concepts associated with his "Phenomenology of perception •~ in which he attributes great importance to perception since he considers that ali consciousness is perceptive, and in the contributions of the contemporary sociologist David Le Breton who understands human corporeality as a social and cultural phenomenon, symbolic matter and object of representations and imaginaries. This has allowed us to analyze the construction of his work taking into account that it carries implicit in itself the struggle of his own corporeality that not only manifests through his expressive works but is revealed to us by his very words in the correspondence corpus that kept with his brother Theo. In the need to know, in his passion for color, in collecting, in the desire to find his own style, to express himself in a direct way without rules or contentions, there is his dissatisfaction and the permanent search for a place in society that does not contain it Van Gogh lives on the surface of his marginality, manifests the discomfort of his body, his perception of nature misplaces it and expels it. Mucho se ha escrito acerca de la vida y obra de Vincent Van Gogh. Sin embargo, el presente trabajo tiene como propósito abordar su compleja existencia por medio de nuevas reflexiones que nos permitan deshilvanar a través de una perspectiva ampliada, la trama de sentidos que atravesaron su vida marcada por las tensiones decimonónicas de fines de siglo. La propuesta se enmarca dentro de lo que Merleau Ponty trabaja en los conceptos asociados a su "Fenomenología de la percepción", en la que atribuye gran importancia a la percepción ya que considera que toda conciencia es perceptiva, y en los aportes del sociólogo contemporáneo David Le Breton quien entiende la corporalidad humana como fenómeno social y cultural, materia simbólica y objeto de representaciones e imaginarios. Esto nos ha permitido analizar la construcción de su obra teniendo en cuenta que lleva implícita en sí la lucha de su propia corporeidad que no solamente se manifiesta a través de sus expresivos trabajos sino que nos es revelada por sus mismas palabras en el corpus epistolario que mantuviera con su hermano Theo. En la necesidad de conocer, en su apasionamiento por el color, en el coleccionismo, en el afán de encontrar un estilo propio, de expresarse de un modo directo sin reglas ni contenciones, está su insatisfacción y la búsqueda permanente por un lugar en la sociedad que no lo contiene. Van Gogh vive a flor de piel su marginalidad, manifiesta la incomodidad de su cuerpo, su percepción de la naturaleza lo desubica y lo expulsa. |
titulo_str_mv |
Reflections on Van Gogh and his work Reflexiones sobre Van Gogh y su obra |
object_type_str_mv |
Textual: Revistas |
id |
15174 |
plantilla_str |
Artículo de Revista |
record_format |
article |
container_title |
Cuadernos de Historia del Arte |
journal_title_str |
Cuadernos de Historia del Arte |
journal_id_str |
r-7535 |
container_issue |
Cuadernos de Historia del Arte |
container_volume |
Año 2013, no. 23 |
journal_issue_str |
Año 2013, no. 23 |
tipo_str |
textuales |
type_str_mv |
Articulos |
title_full |
Reflexiones sobre Van Gogh y su obra |
title_fullStr |
Reflexiones sobre Van Gogh y su obra Reflexiones sobre Van Gogh y su obra |
title_full_unstemmed |
Reflexiones sobre Van Gogh y su obra Reflexiones sobre Van Gogh y su obra |
description |
Much has been written about the life and work of Vincent Van Gogh. However, the present work aims to address its complex existence through new reflections that allow us to unravel through an expanded perspective, the web of senses that went through his life marked by nineteenth-century tensions. The proposal is framed within what Merleau Ponty works on the concepts associated with his "Phenomenology of perception •~ in which he attributes great importance to perception since he considers that ali consciousness is perceptive, and in the contributions of the contemporary sociologist David Le Breton who understands human corporeality as a social and cultural phenomenon, symbolic matter and object of representations and imaginaries. This has allowed us to analyze the construction of his work taking into account that it carries implicit in itself the struggle of his own corporeality that not only manifests through his expressive works but is revealed to us by his very words in the correspondence corpus that kept with his brother Theo. In the need to know, in his passion for color, in collecting, in the desire to find his own style, to express himself in a direct way without rules or contentions, there is his dissatisfaction and the permanent search for a place in society that does not contain it Van Gogh lives on the surface of his marginality, manifests the discomfort of his body, his perception of nature misplaces it and expels it. |
dependencia_str_mv |
Facultad de Filosofía y Letras |
title |
Reflexiones sobre Van Gogh y su obra |
spellingShingle |
Reflexiones sobre Van Gogh y su obra Historia y crítica Neoimpresionismo Van Gogh, Vincent Leonforte, Andrea Roiz, Laura |
topic |
Historia y crítica Neoimpresionismo Van Gogh, Vincent |
topic_facet |
Historia y crítica Neoimpresionismo Van Gogh, Vincent |
author |
Leonforte, Andrea Roiz, Laura |
author_facet |
Leonforte, Andrea Roiz, Laura |
tags_str_mv |
FFYL |
title_sort |
Reflexiones sobre Van Gogh y su obra |
title_short |
Reflexiones sobre Van Gogh y su obra |
url |
https://bdigital.uncu.edu.ar/fichas.php?idobjeto=15174 |
estado_str |
3 |
building |
Biblioteca Digital |
filtrotop_str |
Biblioteca Digital |
collection |
Artículo de Revista |
institution |
Sistema Integrado de Documentación |
indexed_str |
2023-04-25 00:35 |
_version_ |
1764120116580057088 |