Las salonnieres del siglo XVII en Francia y los cuentos de hadas de Madame D'Aulnoy
Fairy tales do not cease to flourish or inspire abundant critical studies that -from various points of view- address their origin, production and reception. Famous compositions such as Cinderella, Little Red Riding Hood or Sleeping Beauty immediately remind us of Charles Perrault; but this is not th...
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| Publicado en: | Revista Melibea |
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| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=16802 |
| Sumario: | Fairy tales do not cease to flourish or inspire abundant critical studies that -from various points of view- address their origin, production and reception. Famous compositions such as Cinderella, Little Red Riding Hood or Sleeping Beauty immediately remind us of Charles Perrault; but this is not the only name that stands out at the end of the 17th century in France. Quite the contrary: it is almost discordant in a typical and fundamentally feminine universe like that of the salonnières, among which Marie-Catherine le Jumelle de Barneville, Baroness d'Aulnoy. She created the term fairy tale and the literary version of the genre. It will be interesting, then, to know her and review her place in the Parisian scene of that time, in order to understand and value her pioneering role as a woman-artist. It will be equally interesting to discover that an advanced worldview about women, society and the relationship between the sexes is hidden below apparently childish and superficial compositions. |
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