Occidión
After the performance of the musical concert Occidión by the authors from Mendoza Antón and Boyle, we propose to share theoretical experiences designed to reveal their deeper meanings, considering that such intentions expand the traditional concept of musical performance. We will assume the...
Guardado en:
| Publicado en: | Huellas |
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| Autor principal: | |
| Materias: | |
| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=5896 |
| Sumario: | After the
performance
of the musical concert
Occidión
by the authors from Mendoza
Antón and Boyle, we propose to share theoretical experiences designed to reveal their
deeper meanings, considering that such intentions expand the traditional concept of
musical performance.
We will assume the work as an emerging significance in our context, which will allow us
to frame it in the category of situated vanguard.
We observe how
Occidión
resemantizing narratives pre Columbian past and updated
constituting itself into a construct of our Latin American identity. |
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