Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio
An experience lived and commented by the very Suspiche -a painter from the Santa Fe littoral- and a careful reading of texts by Saer, give origin to this paper, which aims at an understanding of cross languages between the works of both. Each one, from his own aesthetics, generates a space which tr...
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| Publicado en: | Piedra y Canto |
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| Autores principales: | , |
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| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=681 |
| todos_str_mv |
466 551 ISPJVG ISPJVG spa Universidad de Ciencias empresariales y sociales- Santa Fé |
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| description_str_mv |
An experience lived and commented by the very Suspiche -a painter from the Santa Fe littoral- and a careful reading of texts by Saer, give origin to this paper, which aims at an understanding of cross languages between the works of both.
Each one, from his own aesthetics, generates a space which transcends referentiality to become a poetics, but also a true cosmovision.
Saer's works reveal his idea of literature and the world, a conception according to which liJe cannot be apprehended. This certainty guides his writing process; contributes his recurrent topics, which are nothing but the desperate insistence to communicate perceptions.
About Suspiche's art, the critic Taverna Yrigoyen has said. /lit is a landscape which seems to submit to him easily, and when he is about to make it his. to penetrate it, it becomes an unreachable mirage.
How do both solve. in the textual surface, that distrust in the possibility of setting up their universes? By way of language, through the experimentation with which they are able to transform, overlap, and reiterate, in order to create a meaning.
Our paper aims at showing how both evolve towards the essentiality achieved through a progressive suppression ofwhat is unnecessary, the abandonment of devices typical of literature of manners. and a praxis which asksfor ever more rigorous techniques. To do so, we analize the process of productivity of those spaces which surround man's vital journey and are one with him; not due to psychological affinities. in the romantic way; but fatally, through impregnation, symbiosis, adjustment.
Una experiencia vivida y comentada por el propio Suspisiche -pintor del litoral santafecino- y la frecuentación de los textos saerianos abren la posibilidad de este trabajo que pretende un acercamiento al cruce de lenguajes entre las obras de ambos. Cada uno desde su propia estética genera un espacio que trasciende la referencialidad para convertirse en una poética, pero también en una verdadera cosmovisión. Las obras de Saer van develando su concepción de la literatura y del mundo, concepción según la cual la realidad es huidiza, imposible de aprehender. Esta certeza conduce su proceso de escritura. aporta sus tópicos recurrentes que no son más que la insistencia desesperada por comunicar las propias percepciones. De la pintura de Suspisiche, dijo el crítico Taverna Irigoyen: "es un paisaje que pareciera entregársele fácilmente, y cuando lo va a hacer suyo, a penetrarlo, se convierte en un espejismo inatrapable". ¿Cómo resuelven ambos. en la superficie textual. esa desconfianza en la posibilidad de instaurar sus universos? Por el camino del lenguaje, por la experimentación con que pueden transformar, superponer, reiterar, hasta crear un significado. Nuestro trabajo trata de demostrar cómo ambos evolucionan hacia la esencialidad que se logra por la progresiva supresión de lo accesorio, el abandono del pintoresquismo y una praxis que exige técnicas cada vez más rigurosas. Para el/o ese analiza el proceso de productividad de esos espacios que envuelven el trayecto vital del hombre y son uno con él, no por afinidades psicologistas. a la manera romántica, sino fatalmente, por impregnación. por simbiosis, por acoplamiento. No es el hombre el que se apropia del paisaje. es el espacio el que lo contiene. y permite al artista. desde adentro. una mirada que no es sólo recreación estética. sino ideología. en el sentido de visión del mundo. |
| descriptores_str_mv |
Artes plásticas Autores argentinos Espacio Literatura Referentiality Referncialidad Relaciones entre literatura y pintura Relations between literature and painting Saer, Juan José Space Suspisiche, Carlos |
| autor_str_mv |
Coutaz de Mascotti, Mirtha Zobboli, Marta |
| titulo_str_mv |
Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio |
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Letras y literatura |
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Textual: Revistas |
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681 |
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Artículo de Revista |
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article |
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Piedra y Canto |
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Piedra y Canto |
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r-466 |
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Piedra y Canto |
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No. 9-10 |
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No. 9-10 |
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textuales |
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Articulos |
| title_full |
Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio |
| title_fullStr |
Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio |
| title_full_unstemmed |
Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio |
| description |
An experience lived and commented by the very Suspiche -a painter from the Santa Fe littoral- and a careful reading of texts by Saer, give origin to this paper, which aims at an understanding of cross languages between the works of both.
Each one, from his own aesthetics, generates a space which transcends referentiality to become a poetics, but also a true cosmovision.
Saer's works reveal his idea of literature and the world, a conception according to which liJe cannot be apprehended. This certainty guides his writing process; contributes his recurrent topics, which are nothing but the desperate insistence to communicate perceptions.
About Suspiche's art, the critic Taverna Yrigoyen has said. /lit is a landscape which seems to submit to him easily, and when he is about to make it his. to penetrate it, it becomes an unreachable mirage.
How do both solve. in the textual surface, that distrust in the possibility of setting up their universes? By way of language, through the experimentation with which they are able to transform, overlap, and reiterate, in order to create a meaning.
Our paper aims at showing how both evolve towards the essentiality achieved through a progressive suppression ofwhat is unnecessary, the abandonment of devices typical of literature of manners. and a praxis which asksfor ever more rigorous techniques. To do so, we analize the process of productivity of those spaces which surround man's vital journey and are one with him; not due to psychological affinities. in the romantic way; but fatally, through impregnation, symbiosis, adjustment.
|
| dependencia_str_mv |
Facultad de Filosofía y Letras |
| title |
Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio |
| spellingShingle |
Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio Artes plásticas Autores argentinos Espacio Literatura Referentiality Referncialidad Relaciones entre literatura y pintura Relations between literature and painting Saer, Juan José Space Suspisiche, Carlos Coutaz de Mascotti, Mirtha Zobboli, Marta |
| topic |
Artes plásticas Autores argentinos Espacio Literatura Referentiality Referncialidad Relaciones entre literatura y pintura Relations between literature and painting Saer, Juan José Space Suspisiche, Carlos |
| topic_facet |
Artes plásticas Autores argentinos Espacio Literatura Referentiality Referncialidad Relaciones entre literatura y pintura Relations between literature and painting Saer, Juan José Space Suspisiche, Carlos |
| author |
Coutaz de Mascotti, Mirtha Zobboli, Marta |
| author_facet |
Coutaz de Mascotti, Mirtha Zobboli, Marta |
| title_sort |
Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio |
| title_short |
Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio |
| url |
https://bdigital.uncu.edu.ar/fichas.php?idobjeto=681 |
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3 |
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Biblioteca Digital |
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Biblioteca Digital |
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Artículo de Revista |
| institution |
Sistema Integrado de Documentación |
| indexed_str |
2023-04-25 00:39 |
| _version_ |
1764120367698280448 |
