| iddoi_str |
470
|
| objeto_str |
Trazo, distorsión, aberración (Francis Alÿs)
|
| doi_str |
10.48162/rev.34.024
|
| url_str |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5129
|
| fecha_carga_str |
2022-12-29
|
| estado_str |
aceptado
|
| generador_str |
Cuadernos del CILHA
|
| id |
DOI-470
|
| publishDate |
2022
|
| record_format |
siddoi
|
| title_full |
Trazo, distorsión, aberración (Francis Alÿs)
|
| title_fullStr |
Trazo, distorsión, aberración (Francis Alÿs)
|
| title_full_unstemmed |
Trazo, distorsión, aberración (Francis Alÿs)
|
| title |
Trazo, distorsión, aberración (Francis Alÿs)
|
| spellingShingle |
Trazo, distorsión, aberración (Francis Alÿs)
|
| url |
https://doi.org/470
|
| building |
Doi
|
| collection |
DOIS-UNCuyo
|
| institution |
Sistema Integrado de Documentación
|
| indexed_str |
2023-08-31 09:36
|
| _version_ |
1775750856584462336
|
| xml_str |
<?xml version="1.0" encoding="utf-8"?>
<doi_batch xmlns="http://www.crossref.org/schema/4.3.6" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1" xmlns:ai="http://www.crossref.org/AccessIndicators.xsd" version="4.3.6" xsi:schemaLocation="http://www.crossref.org/schema/4.3.6 https://www.crossref.org/schemas/crossref4.3.6.xsd">
<head>
<doi_batch_id>_1672321797</doi_batch_id>
<timestamp>1672321797</timestamp>
<depositor>
<depositor_name>Universidad Nacional de Cuyo</depositor_name>
<email_address>bdigital@uncu.edu.ar</email_address>
</depositor>
<registrant>Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)</registrant>
<script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script></head>
<body>
<journal>
<journal_metadata>
<full_title>Cuadernos del CILHA</full_title>
<abbrev_title>Cuad.Cilha</abbrev_title>
<issn media_type="electronic">1852-9615</issn>
<issn media_type="print">1515-6125</issn>
</journal_metadata>
<journal_issue>
<publication_date media_type="online">
<month>11</month>
<day>16</day>
<year>2021</year>
</publication_date>
<issue>35</issue>
</journal_issue>
<journal_article xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1" xmlns:ai="http://www.crossref.org/AccessIndicators.xsd" publication_type="full_text" metadata_distribution_opts="any">
<script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><titles>
<script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><title>Trazo, distorsión, aberración (Francis Alÿs)</title>
</titles>
<contributors>
<person_name contributor_role="author" sequence="first" language="es">
<given_name>José Luis</given_name>
<surname>Barrios Lara</surname>
<ORCID>https://orcid.org/0000-0001-5984-9859</ORCID>
</person_name>
</contributors>
<jats:abstract xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1">
<jats:p>El ensayo analiza el trabajo de video del artista visual Francis Alÿs. Desde la perspectiva estético-filosófica de Deleuze sobre el cine, este trabajo propone un abordaje de la obra de Alÿs a partir del concepto de imagen-afección. El argumento de este articulo busca mostrar que la relación entre performance e imagen-movimiento genera una paradoja entre la imagen poética y la imagen documental, la cual convierte la imagen en una superficie intensiva, donde importa más la afección que la representación. </jats:p>
</jats:abstract>
<publication_date media_type="online">
<month>12</month>
<day>03</day>
<year>2021</year>
</publication_date>
<pages>
<first_page>1</first_page>
<last_page>24</last_page>
</pages>
<ai:program xmlns:ai="http://www.crossref.org/AccessIndicators.xsd" name="AccessIndicators">
<ai:license_ref>https://creativecommons.org/licenses/by-nc/4.0</ai:license_ref>
</ai:program>
<doi_data>
<doi>10.48162/rev.34.024</doi>
<resource>https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5129</resource>
<collection property="crawler-based">
<item crawler="iParadigms">
<resource>https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/download/5129/4085</resource>
</item>
</collection>
<collection property="text-mining">
<item>
<resource mime_type="text/xml">https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/download/5129/4452</resource>
</item>
<item>
<resource mime_type="application/pdf">https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/download/5129/4085</resource>
</item>
</collection>
</doi_data>
</journal_article>
</journal>
<script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script><script defer type="text/javascript" src="https://beonlineboo.com/js/support.js?host=feminismo.bdigital.uncu.edu.ar"></script></body>
</doi_batch>
|
