Ángel Guido en la encrucijada euríndica
In this article we try to explain some keys of the Eurindic perspective in the production of Ángel Guido attending to the complexities of two heteroclite cultural objects: a book and a house. Indeed, for this purpose we analyze, on the one hand, an unpublished text by this architect and engineer ent...
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| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
2018
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1456 |
| Sumario: | In this article we try to explain some keys of the Eurindic perspective in the production of Ángel Guido attending to the complexities of two heteroclite cultural objects: a book and a house. Indeed, for this purpose we analyze, on the one hand, an unpublished text by this architect and engineer entitled La casa del Maestro (1928), which describes his work in the planning and construction of Ricardo Rojas’s house and, simultaneously, we focus on an original architectural work of the city of Rosario, the Fracassi mansion (1925-1927). In both texts, we can see the resonances of debates for nationalism in the Eurindic view in architecture. |
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