Hacer la Patagonia visible: Producción y circulación de las figuras de paisajes en la configuración de un proyecto de hegemonía regional (Bahía Blanca, 1940-1970)
This article reconstructs and interprets the production of landscape images about Patagonia - occurred in Bahía Blanca (Buenos Aires) in the mid-twentieth century - as part of a sociocultural process that sought to consolidate the position of local artists in the national artistic field while config...
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| Formato: | Online |
| Lenguaje: | spa |
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Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
2021
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/5133 |
| Sumario: | This article reconstructs and interprets the production of landscape images about Patagonia - occurred in Bahía Blanca (Buenos Aires) in the mid-twentieth century - as part of a sociocultural process that sought to consolidate the position of local artists in the national artistic field while configuring a visual culture that participated in the debates and projects of hierarchy of the city as the axis of development of the region in question. In this sense, we will argue that this phenomenon articulated these visual supports to the concrete social mobilization that was fighting for the realization of its political project, in this case, based on confidence in the power of the vision and the figurative image.
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