Vidas (in)documentadas: apuntes para la cartografía de un archivo de un artista de performance
In this study we analyze the catalog of the 2017 retrospective exhibition Mexican (In)Documentado by Guillermo Gómez-Peña in order to study different strategies for organizing an archive of his works. If we accept the formulation that performance can be conceived as an “art of the self” (Alcázar, 20...
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| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/5817 |
