Notas sobre el teatro como actividad esencial: lo inaudito
The interruption of the performing arts during the pandemic and the sudden hyper-mediatization of sociability caused some already known truths to be experienced with an intensity capable of generating unpredictable ideas. This essay analyzes some of them, especially an audacious text by Javier Dault...
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| Formato: | Online |
| Lenguaje: | spa |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6002 |
| Sumario: | The interruption of the performing arts during the pandemic and the sudden hyper-mediatization of sociability caused some already known truths to be experienced with an intensity capable of generating unpredictable ideas. This essay analyzes some of them, especially an audacious text by Javier Daulte in which he proclaimed to the State the declaration of theater as an essential activity, wielding the category of "face-to-face praxis of art". The Argentine playwright upholds the implacable thesis that the face-to-face praxis of art is a condition for the existence of art itself. In addition, he argues that theater contributes to building healthier social ties by generating unexpected identifications with others. |
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