Hacer vivir- dejar morir- hacer huir. La fuga de Carla en Cómo desaparecer completamente de Mariana Enriquez
In this article we approach Mariana Enriquez novel’s How to dissapear completely. We stop at the construction of Carla as a figure of the monstrous because we consider that from her presence in the story the social and political meanings that a face entails are made visible. The text allows us to th...
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| Formato: | Online |
| Lenguaje: | spa |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2023
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6753 |
| Sumario: | In this article we approach Mariana Enriquez novel’s How to dissapear completely. We stop at the construction of Carla as a figure of the monstrous because we consider that from her presence in the story the social and political meanings that a face entails are made visible. The text allows us to think about what is generated when what is expected of a face is stressed and it flees from the orders assigned by the faciality machine (Deleuze & Guattari, 2002). Faced with the biopolitical to make live and let die (Foucault, 1991), we read Carla’s deterritorializing movements from the Deleuzian to make flee, as a force that allows us to trace lines of flight. Since flight is a third term unthought of by doxa (Barthes, 2004), we believe that Enriquez’s text allows us to think about the possibilities of the abject in the dispute and problematization of the politics of the face. |
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