Caperucita no es una princesa. La potencia crítica de un personaje tradicional
This paper aims an interpretation of different rewritings of “Little Riding Red Hood”, in the light of the criticism of fairy tales in Feminist Studies and Children’s Literature Studies. Our inspiring hypothesis is that, since she is not a princess, this character holds a particular potential for re...
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| Formato: | Online |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2023
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/7230 |
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I11-R103article-72302023-12-16T02:57:26Z Little Red Riding Hood is not a princess. The critical potential in a traditional character Caperucita no es una princesa. La potencia crítica de un personaje tradicional Cejas, Ana Gisela Pac, Andrea literatura infantil libro álbum narrativas feministas Caperucita Roja reescritura children's literature picture book feminist narratives Little Red Riding Hood rewriting This paper aims an interpretation of different rewritings of “Little Riding Red Hood”, in the light of the criticism of fairy tales in Feminist Studies and Children’s Literature Studies. Our inspiring hypothesis is that, since she is not a princess, this character holds a particular potential for rewritings that reject traditional gender representations, which are present however in the popular versions of “Snow White”, “Cinderella” or “Sleeping Beauty”. In order to frame the analysis, we first present the connection between the two fields of studies mentioned above, since the academic interest in Children’s Literature is fostered by the development of the feminist perspective on folk tales. Secondly, we suggest a brief but meaningful corpus of picture books that convey critical rewritings of “Red Riding Hood”. Our conclusion is that this character’s traits make her especially powerful for this kind of literature. Este trabajo se propone interpretar distintas reescrituras de “Caperucita Roja”, a la luz de las lecturas que los estudios feministas y los de literatura infantil han hecho de los cuentos tradicionales. La hipótesis que lo inspira es que, al no tratarse de una princesa, el personaje tiene una riqueza especial para las reescrituras que critican las representaciones de género propias de los cuentos de hadas, y que se mantienen en las versiones popularizadas de otros relatos como “Blancanieves”, “Cenicienta” o “La Bella Durmiente”. Con el fin de enmarcar el análisis, en primer lugar se presenta la conexión que existe entre los dos campos mencionados a partir de que el interés académico por la literatura infantil se fortalece con la expansión de los estudios feministas sobre los cuentos folklóricos. En segundo lugar, se sugiere un corpus representativo de libros álbum que proponen reescrituras de “Caperucita” con rasgos críticos. La conclusión es que las características de este personaje lo hacen especialmente potente para este tipo de literatura. Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2023-12-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/7230 10.48162/rev.43.049 Boletín GEC; Núm. 32 (2023): Imaginarios del Sur en literatura y artes plurales; 169-191 2618-334X 1515-6117 spa https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/7230/6116 Derechos de autor 2023 Ana Gisela Cejas, Andrea Pac http://creativecommons.org/licenses/by-nc-nd/4.0 |
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Universidad Nacional de Cuyo |
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Revistas en línea |
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Revistas en línea |
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Boletín GEC |
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Boletín GEC |
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Online |
| author |
Cejas, Ana Gisela Pac, Andrea |
| spellingShingle |
Cejas, Ana Gisela Pac, Andrea Caperucita no es una princesa. La potencia crítica de un personaje tradicional literatura infantil libro álbum narrativas feministas Caperucita Roja reescritura children's literature picture book feminist narratives Little Red Riding Hood rewriting |
| author_facet |
Cejas, Ana Gisela Pac, Andrea |
| author_sort |
Cejas, Ana Gisela |
| title |
Caperucita no es una princesa. La potencia crítica de un personaje tradicional |
| title_short |
Caperucita no es una princesa. La potencia crítica de un personaje tradicional |
| title_full |
Caperucita no es una princesa. La potencia crítica de un personaje tradicional |
| title_fullStr |
Caperucita no es una princesa. La potencia crítica de un personaje tradicional |
| title_full_unstemmed |
Caperucita no es una princesa. La potencia crítica de un personaje tradicional |
| title_sort |
little red riding hood is not a princess. the critical potential in a traditional character |
| description |
This paper aims an interpretation of different rewritings of “Little Riding Red Hood”, in the light of the criticism of fairy tales in Feminist Studies and Children’s Literature Studies. Our inspiring hypothesis is that, since she is not a princess, this character holds a particular potential for rewritings that reject traditional gender representations, which are present however in the popular versions of “Snow White”, “Cinderella” or “Sleeping Beauty”. In order to frame the analysis, we first present the connection between the two fields of studies mentioned above, since the academic interest in Children’s Literature is fostered by the development of the feminist perspective on folk tales. Secondly, we suggest a brief but meaningful corpus of picture books that convey critical rewritings of “Red Riding Hood”. Our conclusion is that this character’s traits make her especially powerful for this kind of literature. |
| publisher |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo |
| publishDate |
2023 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/7230 |
| topic |
literatura infantil libro álbum narrativas feministas Caperucita Roja reescritura children's literature picture book feminist narratives Little Red Riding Hood rewriting |
| topic_facet |
literatura infantil libro álbum narrativas feministas Caperucita Roja reescritura children's literature picture book feminist narratives Little Red Riding Hood rewriting |
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