Lucile, la poesía como gesto soberano
This article proposes to recreate the drama (in the nietzschean sense of this term, that is, as opposed to representation) of the French Revolution, based on the play Danton’s Death (Büchner). The focus is on the cry “Long live the King!” which by Lucile Laridon Duplessis utters at the moment of bei...
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2023
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/7256 |
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I11-R103article-72562023-12-16T03:14:35Z Lucile, poetry as a sovereign gesture Lucile, la poesía como gesto soberano Levstein, Ana soberanía contrapalabra poesía revolución terror sovereignty counterword poetry revolution terror This article proposes to recreate the drama (in the nietzschean sense of this term, that is, as opposed to representation) of the French Revolution, based on the play Danton’s Death (Büchner). The focus is on the cry “Long live the King!” which by Lucile Laridon Duplessis utters at the moment of being beheaded, and days after the beheading of her husband Camille Desmoulins. The invocation “Long live the King!” with which Georg Büchner’s work closes is taken up in texts by Paul Celan and Jacques Derrida. In this sense, the article explores the aporias of the micropolitics of subjectivity, with its tensions and contradictions. At the same time, the challenge seems to be to review the unity and homogeneity of the archive called the French Revolution, schooled and standardized in a dichotomous key, and mobilize it to reconsider the inheritance of that name. In this way, it is also possible to redefine what we understand by political and poetic sovereignty. The objective of this work is an attempt to capture and to map the narrative of that moment, where the French Revolution, threatens to become dogma, dictatorship, police government based on terror, that is, to become its Other, its opposite. Este artículo propone recrear el drama (en sentido nietzscheano, es decir, opuesto a la representación) de la Revolución Francesa, a partir de la obra La muerte de Danton (Büchner). La mirada está puesta en el grito “¡Viva el Rey!” que pronuncia Lucile Laridon Duplessis al momento de ser decapitada, y a días de la decapitación de su marido Camille Desmoulins. La invocación “¡Viva el Rey!” con la que se cierra la obra de Georg Büchner es retomada en textos de Paul Celan y Jacques Derrida. En ese sentido, el artículo explora las aporías de las micropolíticas de la subjetividad, con sus tensiones y contradicciones. A la vez, el desafío parece estar en revisar la unidad y homogeneidad del archivo llamado Revolución Francesa, escolarizado y estandarizado en clave dicotómica, y movilizarlo para reconsiderar la herencia de ese nombre. De esta manera, también es posible resignificar lo que entendemos por soberanía política y poética. El objetivo de este trabajo es un intento por capturar y radiografiar la narrativa de ese momento, donde la Revolución Francesa, extrapolable como paradigma a otras revoluciones, amenaza con devenir dogma, dictadura, gobierno policíaco desde el terror, es decir, en convertirse en su Otro, su contrario. Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2023-12-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/7256 10.48162/rev.43.050 Boletín GEC; Núm. 32 (2023): Imaginarios del Sur en literatura y artes plurales; 192-207 2618-334X 1515-6117 spa https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/7256/6120 Derechos de autor 2023 Ana Levstein http://creativecommons.org/licenses/by-nc-nd/4.0 |
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Levstein, Ana |
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Levstein, Ana Lucile, la poesía como gesto soberano soberanía contrapalabra poesía revolución terror sovereignty counterword poetry revolution terror |
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Levstein, Ana |
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Levstein, Ana |
| title |
Lucile, la poesía como gesto soberano |
| title_short |
Lucile, la poesía como gesto soberano |
| title_full |
Lucile, la poesía como gesto soberano |
| title_fullStr |
Lucile, la poesía como gesto soberano |
| title_full_unstemmed |
Lucile, la poesía como gesto soberano |
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lucile, poetry as a sovereign gesture |
| description |
This article proposes to recreate the drama (in the nietzschean sense of this term, that is, as opposed to representation) of the French Revolution, based on the play Danton’s Death (Büchner). The focus is on the cry “Long live the King!” which by Lucile Laridon Duplessis utters at the moment of being beheaded, and days after the beheading of her husband Camille Desmoulins. The invocation “Long live the King!” with which Georg Büchner’s work closes is taken up in texts by Paul Celan and Jacques Derrida. In this sense, the article explores the aporias of the micropolitics of subjectivity, with its tensions and contradictions. At the same time, the challenge seems to be to review the unity and homogeneity of the archive called the French Revolution, schooled and standardized in a dichotomous key, and mobilize it to reconsider the inheritance of that name. In this way, it is also possible to redefine what we understand by political and poetic sovereignty. The objective of this work is an attempt to capture and to map the narrative of that moment, where the French Revolution, threatens to become dogma, dictatorship, police government based on terror, that is, to become its Other, its opposite. |
| publisher |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo |
| publishDate |
2023 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/7256 |
| topic |
soberanía contrapalabra poesía revolución terror sovereignty counterword poetry revolution terror |
| topic_facet |
soberanía contrapalabra poesía revolución terror sovereignty counterword poetry revolution terror |
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AT levsteinana lucilepoetryasasovereigngesture AT levsteinana lucilelapoesiacomogestosoberano |
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