Tess, entre el drama y la violencia: Interpretación de un devenir mujer en el siglo victoriano

In this text, I approach a reading of the film Tess, made by Roman Polanski in 1979, as a trace of traces that describe, not without a certain critical realism, the game of truths about a woman in agricultural England of the Victorian century, in its second half. A reality that perhaps still is ours...

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Detalles Bibliográficos
Autor principal: Guzmán, Liliana
Formato: Online
Lenguaje:spa
Publicado: Centro de Investigaciones Interdisciplinarias de Filosofía en la Escuela (CIIFE) 2020
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/saberesypracticas/article/view/4214
Descripción
Sumario:In this text, I approach a reading of the film Tess, made by Roman Polanski in 1979, as a trace of traces that describe, not without a certain critical realism, the game of truths about a woman in agricultural England of the Victorian century, in its second half. A reality that perhaps still is ours today, as children of modernity in its decline and as women challenged and subjectified in a bundle of relationships and possibilities that highlight and dispute the truths about themselves, in an ontological view of our present.