Primer plano: El paisaje audiovisual en la Cuba del siglo XXI
Cuban cinema has changed dramatically since 1990. The reverberations of the so-called Special Period coupled with the intensification of globalizing forces and the emergence of new technologies have had repercussions in the film world. A new generation of cineastes, propel...
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| Formato: | Online |
| Lenguaje: | spa |
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2015
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1541 |
| Sumario: | Cuban cinema has changed dramatically since 1990. The reverberations of the so-called Special Period coupled with the intensification of globalizing forces and the emergence of new technologies have had repercussions in the film world. A new generation of cineastes, propelled by the changes, have picked up their cameras and begun documenting their context and introducing new visions. As a result, a once concertedly national project has become a decidedly transnational practice. To trace this transformation is to focus on some of the new modes of making and marketing films in Cuba today. |
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