Caperucita y la reescritura posmoderna: el camino de la anagnórisis
By revisiting and rewriting texts, Postmodernism goes back to and deconstructs traditional genres, stereotypes, and distorted meanings, questioning and hybridizing them. Considered as a game of visitors and guests, rewriting questions, among others, the way of considering canonized and established g...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2013
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4058 |
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I11-R112article-40582022-06-01T11:42:17Z Little Red Riding Hood and Postmodern rewriting: the way to anagnorisis Caperucita y la reescritura posmoderna: el camino de la anagnórisis Secreto, Cecilia Cuento de hadas Caperucita roja Deconstrucción Hospes-hostis Reescritura Faity tale Little Red Riding Hood Deconstruction Hospes-Hostis Rewriting By revisiting and rewriting texts, Postmodernism goes back to and deconstructs traditional genres, stereotypes, and distorted meanings, questioning and hybridizing them. Considered as a game of visitors and guests, rewriting questions, among others, the way of considering canonized and established genres. In El archipiélago (The Archipelago) (1999) Massimo Caccari points out, when explaining the thesis of his book: "In hospes there always lives hostis, and in hostis, hospes. They are not two different states but interwoven dynamics". We will try to pay attention to these two dynamics, understanding the selected texts as a subversion of the hostis, that one which, located in the Logos, had to identify itself with it for centuries (the whole history of culture) and, until present postmodernism, could not take enough distance as to reach a state of "differentiation".The characters of fairy tales (in this article we will only focus into "Little Red Riding Hood") stereotyped figures that carry a symbolic-imaginary load, are immersed in a deconstructive game which demolishes the limits of the fixed meaning that myth has imposed them. In that sense, they go from a modern perspective to a postmodern one. The consequence is that some postmodern works deconstruct the characters created by Medieval (and/or legendary) discourses, which carry a univocal mythical meaning. So, they will be revisited, which means that they will be introduced into a non-logical space. La Posmodernidad, desde el gesto de la revisitación y la reescritura, retoma y deconstruye los géneros tradicionales, los estereotipos, los sentidos violentados, cuestionándoles e hibridándolos. Dentro de estos juegos de visitas e invitados, la reescritura vuelve a problematizar, entre otros, la mirada sobre los géneros canonizados y reglados. Massimo Cacciari (1999) señala en El archipiélago, cuando explica la tesis de su libro: "En el hospes vive siempre el hostis, y en el hostis el hospes. Son dos verdaderas dinámicas que se entrelazan, no dos estados" A estas dos dinámicas intentaremos atender, entendiendo a los textos seleccionados como a la sub-versión del hostis, aquel que, hospedado por el Logos, ha debido identificarse (in-diferenciarse) con aquél durante siglos (la historia de la Cultura) y no ha podido apartarse lo suficiente como para alcanzar un estado de "diferenciación" hasta el presente posmoderno.Los personajes de los cuentos de hadas, (en el caso particular del presente trabajo nos centraremos exclusivamente en "Caperucita roja") figuras estereotipadas, portadoras de una carga simbólica-imaginaria, se ven inmersos, dentro del contexto de la Posmodernidad, en un juego deconstructivo que desbarata los límites del sentido fijo que el mito les ha impuesto, experimentan el pasaje de una visión Una a una visión Otra. Es así que, algunos textos, dentro de las producciones posmodernas, recurren a la deconstrucción de las figuras simbolizadas por los discursos medievales (y/o legendarios), portadoras de un sentido mítico-unívoco; ellas se verán sujetas a una revisitación que las inscribe en un espacio a-lógico. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2013-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4058 Cuadernos del CILHA; Vol. 14 Núm. 2 (2013); 67-84 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4058/2913 https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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Secreto, Cecilia |
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Secreto, Cecilia Caperucita y la reescritura posmoderna: el camino de la anagnórisis Cuento de hadas Caperucita roja Deconstrucción Hospes-hostis Reescritura Faity tale Little Red Riding Hood Deconstruction Hospes-Hostis Rewriting |
| author_facet |
Secreto, Cecilia |
| author_sort |
Secreto, Cecilia |
| title |
Caperucita y la reescritura posmoderna: el camino de la anagnórisis |
| title_short |
Caperucita y la reescritura posmoderna: el camino de la anagnórisis |
| title_full |
Caperucita y la reescritura posmoderna: el camino de la anagnórisis |
| title_fullStr |
Caperucita y la reescritura posmoderna: el camino de la anagnórisis |
| title_full_unstemmed |
Caperucita y la reescritura posmoderna: el camino de la anagnórisis |
| title_sort |
little red riding hood and postmodern rewriting: the way to anagnorisis |
| description |
By revisiting and rewriting texts, Postmodernism goes back to and deconstructs traditional genres, stereotypes, and distorted meanings, questioning and hybridizing them. Considered as a game of visitors and guests, rewriting questions, among others, the way of considering canonized and established genres. In El archipiélago (The Archipelago) (1999) Massimo Caccari points out, when explaining the thesis of his book: "In hospes there always lives hostis, and in hostis, hospes. They are not two different states but interwoven dynamics". We will try to pay attention to these two dynamics, understanding the selected texts as a subversion of the hostis, that one which, located in the Logos, had to identify itself with it for centuries (the whole history of culture) and, until present postmodernism, could not take enough distance as to reach a state of "differentiation".The characters of fairy tales (in this article we will only focus into "Little Red Riding Hood") stereotyped figures that carry a symbolic-imaginary load, are immersed in a deconstructive game which demolishes the limits of the fixed meaning that myth has imposed them. In that sense, they go from a modern perspective to a postmodern one. The consequence is that some postmodern works deconstruct the characters created by Medieval (and/or legendary) discourses, which carry a univocal mythical meaning. So, they will be revisited, which means that they will be introduced into a non-logical space. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2013 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4058 |
| topic |
Cuento de hadas Caperucita roja Deconstrucción Hospes-hostis Reescritura Faity tale Little Red Riding Hood Deconstruction Hospes-Hostis Rewriting |
| topic_facet |
Cuento de hadas Caperucita roja Deconstrucción Hospes-hostis Reescritura Faity tale Little Red Riding Hood Deconstruction Hospes-Hostis Rewriting |
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AT secretocecilia littleredridinghoodandpostmodernrewritingthewaytoanagnorisis AT secretocecilia caperucitaylareescrituraposmodernaelcaminodelaanagnorisis |
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1800221175573381120 |
