La condición del sujeto poético penetra los géneros
The poetic subject is an elusive concept for critical and theoretical reflection, given its complexity and ambivalent relation with the author’s figure. Maurice Blanchot and Michel Foucault have meditated on the problematic condition of the literary enunciation subject in relation to other issues su...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2013
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4062 |
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I11-R112article-40622022-06-01T11:50:26Z The Status of the Poetic Subject Penetrates Literary Genres La condición del sujeto poético penetra los géneros Moure, Cleila Sujeto poético Escritura Exterior Géneros literarios Teoría Poetic subject Writing Outside Literary genres Theory The poetic subject is an elusive concept for critical and theoretical reflection, given its complexity and ambivalent relation with the author’s figure. Maurice Blanchot and Michel Foucault have meditated on the problematic condition of the literary enunciation subject in relation to other issues such as the nature of poetical meaning and the specificity of literary genres. Following the abovementioned authors, I put forward that the thought from outside and its discourse correlate, the writing of the disaster, can be adequate starting points to reconsider the problematic relationship between writing and subjectivity, as well as theoretical devices to question the feeble distinction between literary genres. According to this line of thought, I consider the series poetry/letters/diary/essay/chronicle as terms or singularities that share the same condition; "the movement from which the text comes" is the problematic aspect. This movement is neither an inner part nor a content of the text but its outside, the outside that determines and goes through it. El sujeto poético se configura como un concepto esquivo a la reflexión crítica y teórica, dada su complejidad y su relación ambivalente con la figura del autor. Maurice Blanchot y Michel Foucault han reflexionado sobre esta condición problemática del sujeto de la enunciación literaria en relación con otras cuestiones como la naturaleza del significado poético y la especificidad de los géneros literarios. Siguiendo a los autores mencionados, propongo que el pensamiento del afuera y su correlato discursivo: la escritura del desastre, pueden ser puntos de partida eficaces para volver a pensar las problemáticas relaciones entre escritura y subjetividad, y dispositivos teóricos para poner en cuestión la ya muy débil distinción entre géneros literarios. En esa línea de pensamiento propongo la serie poesía/ cartas/ diarios/ ensayo/ crónica como términos o singularidades que participan de la misma condición; "el movimiento del cual proviene la obra" es el punto problemático. Dicho movimiento no es un interior ni un contenido de la obra sino su afuera, lo exterior que la determina y la atraviesa. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2013-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4062 Cuadernos del CILHA; Vol. 14 Núm. 2 (2013); 136-152 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4062/2916 https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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Moure, Cleila |
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Moure, Cleila La condición del sujeto poético penetra los géneros Sujeto poético Escritura Exterior Géneros literarios Teoría Poetic subject Writing Outside Literary genres Theory |
| author_facet |
Moure, Cleila |
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Moure, Cleila |
| title |
La condición del sujeto poético penetra los géneros |
| title_short |
La condición del sujeto poético penetra los géneros |
| title_full |
La condición del sujeto poético penetra los géneros |
| title_fullStr |
La condición del sujeto poético penetra los géneros |
| title_full_unstemmed |
La condición del sujeto poético penetra los géneros |
| title_sort |
status of the poetic subject penetrates literary genres |
| description |
The poetic subject is an elusive concept for critical and theoretical reflection, given its complexity and ambivalent relation with the author’s figure. Maurice Blanchot and Michel Foucault have meditated on the problematic condition of the literary enunciation subject in relation to other issues such as the nature of poetical meaning and the specificity of literary genres. Following the abovementioned authors, I put forward that the thought from outside and its discourse correlate, the writing of the disaster, can be adequate starting points to reconsider the problematic relationship between writing and subjectivity, as well as theoretical devices to question the feeble distinction between literary genres. According to this line of thought, I consider the series poetry/letters/diary/essay/chronicle as terms or singularities that share the same condition; "the movement from which the text comes" is the problematic aspect. This movement is neither an inner part nor a content of the text but its outside, the outside that determines and goes through it. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2013 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4062 |
| topic |
Sujeto poético Escritura Exterior Géneros literarios Teoría Poetic subject Writing Outside Literary genres Theory |
| topic_facet |
Sujeto poético Escritura Exterior Géneros literarios Teoría Poetic subject Writing Outside Literary genres Theory |
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