Nuevas proyecciones cosmopolitas. La influencia de las tecnologías en la literatura latinoamericana contemporánea
Taking the notion of cosmopolitanism as a starting point, this paper intends to analyze a series of reconfigurations that the Latin American contemporary literature has come to experiment, in the last decades, in tune with the development of the technologies of the proximity (radio, cinema, televisi...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2014
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4082 |
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I11-R112article-40822022-05-31T18:18:06Z New cosmopolitanism projections. The influence of technology in contemporary Latin American literature Nuevas proyecciones cosmopolitas. La influencia de las tecnologías en la literatura latinoamericana contemporánea Herrero, Mariela Cosmopolitismo Literatura latinoamericana Tecnologías Globalización Cosmopolitanism Latin American literature Technologies Globalization Taking the notion of cosmopolitanism as a starting point, this paper intends to analyze a series of reconfigurations that the Latin American contemporary literature has come to experiment, in the last decades, in tune with the development of the technologies of the proximity (radio, cinema, television, video, web, among others). It is particularly interesting to think about contemporary literature in relation to the progressive advance of technologization and the subsequent process of globalization that has taken place, which leads us to posit in what way the exchanges and/or borrowings that occur can illustrate a cultural amalgam that regenerates itself constantly and fuels renewed forms of cosmopolitanism. It has been shown that terms such us stability, fixity, immobility, inaction can not be linked to Latin American reality anymore; but on the contrary, which is read is a tendency for fiction to try to legitimize itself by naming, copying, plagiarizing, parodying but also by absorbing, assimilating, eating the entire literary tradition (either European or Latin American). It is about observing a form of cosmopolitanism with a different function, which production model is no longer merely the universal literature as Borges understood it, but the appropriation and the use of the increasing audio-visual, media and technological culture that permeates the social and individual realities of the writers. Tomando como punto de partida la noción de cosmopolitismo se intenta analizar una serie de reconfiguraciones que la literatura latinoamericana contemporánea ha venido experimentando, en las últimas décadas, en sintonía con el desarrollo de las tecnologías de la proximidad (radio, cine, tv, video, web, entre otras). Interesa particularmente pensar a la literatura contemporánea en relación con el progresivo avance de la tecnologización y los consecuentes procesos de globalización y mundialización que han tenido lugar, lo que nos lleva a plantear en qué medida los intercambios y/o préstamos que se producen dan cuenta de una amalgama cultural que se regenera constantemente y alimenta renovadas formas de cosmopolitismo. Se ha demostrado que términos como estabilidad, fijeza, inmovilidad, pasividad no pueden ya, de ninguna manera, vincularse a la realidad latinoamericana; sino que por el contrario, lo que se lee es una tendencia de la ficción por intentar legitimarse al nombrar, copiar, plagiar, parodiar pero así también al absorber, a asimilar, a deglutir toda la tradición literaria (ya sea europea o latinoamericana) Se trata de observar una forma de cosmopolitismo refuncionalizado, cuyo modelo productor ya no es meramente la literatura universal en el sentido en que la entendía Borges, sino la apropiación y la puesta en uso de la creciente cultura audiovisual, mediática y tecnológica que permea las realidades sociales e individuales de los escritores. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2014-06-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4082 Cuadernos del CILHA; Vol. 15 Núm. 1 (2014); 11-25 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4082/2943 https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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Universidad Nacional de Cuyo |
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| author |
Herrero, Mariela |
| spellingShingle |
Herrero, Mariela Nuevas proyecciones cosmopolitas. La influencia de las tecnologías en la literatura latinoamericana contemporánea Cosmopolitismo Literatura latinoamericana Tecnologías Globalización Cosmopolitanism Latin American literature Technologies Globalization |
| author_facet |
Herrero, Mariela |
| author_sort |
Herrero, Mariela |
| title |
Nuevas proyecciones cosmopolitas. La influencia de las tecnologías en la literatura latinoamericana contemporánea |
| title_short |
Nuevas proyecciones cosmopolitas. La influencia de las tecnologías en la literatura latinoamericana contemporánea |
| title_full |
Nuevas proyecciones cosmopolitas. La influencia de las tecnologías en la literatura latinoamericana contemporánea |
| title_fullStr |
Nuevas proyecciones cosmopolitas. La influencia de las tecnologías en la literatura latinoamericana contemporánea |
| title_full_unstemmed |
Nuevas proyecciones cosmopolitas. La influencia de las tecnologías en la literatura latinoamericana contemporánea |
| title_sort |
new cosmopolitanism projections. the influence of technology in contemporary latin american literature |
| description |
Taking the notion of cosmopolitanism as a starting point, this paper intends to analyze a series of reconfigurations that the Latin American contemporary literature has come to experiment, in the last decades, in tune with the development of the technologies of the proximity (radio, cinema, television, video, web, among others). It is particularly interesting to think about contemporary literature in relation to the progressive advance of technologization and the subsequent process of globalization that has taken place, which leads us to posit in what way the exchanges and/or borrowings that occur can illustrate a cultural amalgam that regenerates itself constantly and fuels renewed forms of cosmopolitanism. It has been shown that terms such us stability, fixity, immobility, inaction can not be linked to Latin American reality anymore; but on the contrary, which is read is a tendency for fiction to try to legitimize itself by naming, copying, plagiarizing, parodying but also by absorbing, assimilating, eating the entire literary tradition (either European or Latin American). It is about observing a form of cosmopolitanism with a different function, which production model is no longer merely the universal literature as Borges understood it, but the appropriation and the use of the increasing audio-visual, media and technological culture that permeates the social and individual realities of the writers. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2014 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4082 |
| topic |
Cosmopolitismo Literatura latinoamericana Tecnologías Globalización Cosmopolitanism Latin American literature Technologies Globalization |
| topic_facet |
Cosmopolitismo Literatura latinoamericana Tecnologías Globalización Cosmopolitanism Latin American literature Technologies Globalization |
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