Historia, leyendas y clichés del Oriente: en la obra de Emir Emin Arslán
This paper intends to explore the orientalist work developed in Argentina by the Turkish diplomatic and immigrant Emir Emin Arslan. Druze-Lebanese origin, this cosmopolitan aristocrat came to have a remarkable gravitation in the cultural Argentina between 1910 and 1940. His voluminous work, disperse...
Guardado en:
Autor principal: | |
---|---|
Formato: | Online |
Lenguaje: | spa |
Publicado: |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2012
|
Materias: | |
Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4142 |
Sumario: | This paper intends to explore the orientalist work developed in Argentina by the Turkish diplomatic and immigrant Emir Emin Arslan. Druze-Lebanese origin, this cosmopolitan aristocrat came to have a remarkable gravitation in the cultural Argentina between 1910 and 1940. His voluminous work, dispersed in numerous articles for newspapers and weeklies, in addition to his books, is a hitherto unexplored corpus of vernacular Orientalism. Arslan was in charge of an important cultural weekly, La Nota, between 1915 and 1920, and was also a founder of a bilingual newspaper in arabic and spanish in 1925, Al-Istiklal–La Independencia. This research is a continuation of my work, previously developed in the Oriente al Sur (2007). |
---|