Para una práctica plebeya (¿de la performance?): María Galindo y Mujeres Creando
The Bolivian feminist social movement Mujeres Creando, founded in the early 1990s in La Paz, with the anarcho-feminist María Galindo as one of its most publicly visible members, has been maintaining forms of life and aesthetic-political action based on a radical dissent against neoliberal, patriarch...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2021
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5006 |
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I11-R112article-50062022-03-31T21:54:18Z For a plebeian practice (of performance?): María Galindo and Mujeres Creando Para una práctica plebeya (¿de la performance?): María Galindo y Mujeres Creando Sánchez Acevedo, Ana Mujeres Creando Feminismo Descolonización Agitación callejera Espacio público Mujeres creando Feminism Decolonization Street agitation Public space Mujeres creando The Bolivian feminist social movement Mujeres Creando, founded in the early 1990s in La Paz, with the anarcho-feminist María Galindo as one of its most publicly visible members, has been maintaining forms of life and aesthetic-political action based on a radical dissent against neoliberal, patriarchal and colonial capitalism, for the last thirty years. They have created and sustained over time various self-managed spaces open to the community, support networks, literacy and self-training classes, a radio station, and other places for meeting, coexistence, discussion and politics practiced from the grassroots, daily life and an attention focused on concrete issues. Its activity is also expressed, from its beginnings, within the urban public space, through grafiteadas on walls and street interventions of different kinds, which use irreverent and embodied aesthetics to politicize with a scandal of plebeian roots and vocation. This paper focuses on the ethopoietic dimension of these manifestations, insofar as they involve a certain aesthetics of existence, by emphasizing the conflictive zones that place them at odds with the approaches from the places of enunciation of academia. Gestado a comienzos de los años noventa en La Paz, y con la anarcofeminista María Galindo como una de sus integrantes más visibles públicamente, el movimiento social feminista boliviano Mujeres Creando lleva treinta años manteniendo formas de vida y acción estético-política situadas desde el disenso radical contra el capitalismo neoliberal, patriarcal y colonial. Han creado y sostenido en el tiempo diversos espacios autogestionarios abiertos a la comunidad, redes de apoyo, aulas de alfabetización y autoformación, una emisora de radio y otros lugares para el encuentro, la convivencia, la discusión y la política practicada desde la base, la cotidianidad y la atención a lo concreto. Su actividad se expresa además desde sus inicios en el espacio público urbano, mediante grafiteadas en los muros e intervenciones callejeras de distinta índole, que emplean estéticas irreverentes y corporeizadas para politizar desde un escándalo de raigambre y vocación plebeya. Este artículo enfoca esas manifestaciones en su dimensión ethopoiética, en tanto comportan una determinada estética de la existencia, enfatizando las zonas conflictivas que las colocan a contrapelo de las aproximaciones desde los lugares de enunciación de la academia. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2021-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/xml https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5006 10.48162/rev.34.035 Cuadernos del CILHA; Núm. 35 (2021): Dosier: El giro performativo: perspectivas sobre el teatro latinoamericano contemporáneo; 1-31 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5006/4193 https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5006/4456 Derechos de autor 2021 Ana Sánchez Acevedo https://creativecommons.org/licenses/by-nc/4.0 |
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Sánchez Acevedo, Ana |
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Sánchez Acevedo, Ana Para una práctica plebeya (¿de la performance?): María Galindo y Mujeres Creando Mujeres Creando Feminismo Descolonización Agitación callejera Espacio público Mujeres creando Feminism Decolonization Street agitation Public space Mujeres creando |
| author_facet |
Sánchez Acevedo, Ana |
| author_sort |
Sánchez Acevedo, Ana |
| title |
Para una práctica plebeya (¿de la performance?): María Galindo y Mujeres Creando |
| title_short |
Para una práctica plebeya (¿de la performance?): María Galindo y Mujeres Creando |
| title_full |
Para una práctica plebeya (¿de la performance?): María Galindo y Mujeres Creando |
| title_fullStr |
Para una práctica plebeya (¿de la performance?): María Galindo y Mujeres Creando |
| title_full_unstemmed |
Para una práctica plebeya (¿de la performance?): María Galindo y Mujeres Creando |
| title_sort |
for a plebeian practice (of performance?): maría galindo and mujeres creando |
| description |
The Bolivian feminist social movement Mujeres Creando, founded in the early 1990s in La Paz, with the anarcho-feminist María Galindo as one of its most publicly visible members, has been maintaining forms of life and aesthetic-political action based on a radical dissent against neoliberal, patriarchal and colonial capitalism, for the last thirty years. They have created and sustained over time various self-managed spaces open to the community, support networks, literacy and self-training classes, a radio station, and other places for meeting, coexistence, discussion and politics practiced from the grassroots, daily life and an attention focused on concrete issues. Its activity is also expressed, from its beginnings, within the urban public space, through grafiteadas on walls and street interventions of different kinds, which use irreverent and embodied aesthetics to politicize with a scandal of plebeian roots and vocation. This paper focuses on the ethopoietic dimension of these manifestations, insofar as they involve a certain aesthetics of existence, by emphasizing the conflictive zones that place them at odds with the approaches from the places of enunciation of academia. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2021 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5006 |
| topic |
Mujeres Creando Feminismo Descolonización Agitación callejera Espacio público Mujeres creando Feminism Decolonization Street agitation Public space Mujeres creando |
| topic_facet |
Mujeres Creando Feminismo Descolonización Agitación callejera Espacio público Mujeres creando Feminism Decolonization Street agitation Public space Mujeres creando |
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