El palacio de la risa (1995): Residuos constelados de nación y significaciones desde el cuerpo individual

This article aims to argue how the narrative of El palacio de la risa (1995) projects allegorical residues provoked by devices of violence. These, in turn, are related to the individual and national history that envelops the narrator. Such a reading draws on the theories of violence by Byung-Chul Ha...

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Detalles Bibliográficos
Autor principal: Albornoz Toloza, Valentina
Formato: Online
Lenguaje:spa
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2023
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5645
Descripción
Sumario:This article aims to argue how the narrative of El palacio de la risa (1995) projects allegorical residues provoked by devices of violence. These, in turn, are related to the individual and national history that envelops the narrator. Such a reading draws on the theories of violence by Byung-Chul Han (2016) and Wolfang Sofsky (2006), in addition to Walter Benjamin's allegorical view of history and contributions from scholars associated with Ruin Theory.