Simular lo que ya se es. Dandismo y bibliofilia en Trance de Alan Pauls
This work is derived from a recently completed doctoral thesis. It studies the constitution of anachronism as a form of contemporary dandyism in Alan Pauls's narrative. In this article, I focus primarily on general critical-theoretical questions regarding the way in which Pauls, by intervening...
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| Formato: | Online |
| Lenguaje: | spa |
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2023
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/6664 |
| Sumario: | This work is derived from a recently completed doctoral thesis. It studies the constitution of anachronism as a form of contemporary dandyism in Alan Pauls's narrative. In this article, I focus primarily on general critical-theoretical questions regarding the way in which Pauls, by intervening in his autobiographical material, constructs the difference that makes him stand out as a dandy. And, detached from it, I analyze the author characters that populate Trance (Pauls, 2018), his last long-term essay. My hypothesis is that Pauls, by transferring the anachronism of his fiction to the characters responsible for self-figuration by him, not only seeks that they complete and encompass his figure of author, but also that they consolidate the anachronism that founds his literature. |
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