El significado de lo “kirio” en el pensamiento tardío de Pedro Figari
The Uruguayan Pedro Figari (1861-1938), a prominent painter, was also an original thinker. He was the author of a utopian/satirical novel, Historia kiria (1930), a work published in Paris, where he lived between 1925 and 1934. Not widely known and barely read, Figari presented in that novel the kiri...
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Instituto de Filosofía Argentina y Americana, Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2023
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Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/anuariocuyo/article/view/7465 |
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I11-R90article-74652024-04-08T19:16:02Z The meaning of “kirio” in Pedro Figari’s late thought El significado de lo “kirio” en el pensamiento tardío de Pedro Figari Corti, Aníbal Pedro Figari pensamiento utópico pensamiento latinoamericano crítica de la modernidad Pedro Figari utopian thought Latin American thought criticism of Modernity The Uruguayan Pedro Figari (1861-1938), a prominent painter, was also an original thinker. He was the author of a utopian/satirical novel, Historia kiria (1930), a work published in Paris, where he lived between 1925 and 1934. Not widely known and barely read, Figari presented in that novel the kirios, an imaginary archaic civilization whose old and good “essential virtues” he transformed into a universal standard of reasonableness and common sense: a standard from which he judged the events of the world around him, and its protagonists. As soon as the novel was published, Figari adopted the kirio point of view to formulate actuality comments and reflections, something of which there is abundant testimony in his correspondence from the period. Since it is not immediately obvious, it makes sense to ask what it was like for Figari to be a kirio. Or, better, what kirio is as a concept: what distinguishes it, what characterizes it. In this work, I try to offer an answer to this question. El uruguayo Pedro Figari (1861-1938), destacado pintor, fue además un pensador original. Fue autor de una novela utópico-satírica, Historia kiria (1930), obra publicada en París, donde residió entre 1925 y 1934. Poco conocida y poco leída, Figari presentó en ella a los kirios, una civilización arcaica imaginaria cuyas viejas y buenas “virtudes esenciales” transformó en patrón universal de la sensatez y el sentido común: un patrón desde el que juzgó los acontecimientos del mundo que lo rodeaba, y a sus protagonistas. Apenas publicada adoptó el punto de vista kirio para formular comentarios y reflexiones de actualidad, algo de lo que queda abundante testimonio en su correspondencia del período. Puesto que no resulta inmediatamente obvio, tiene sentido preguntarse qué era para Figari ser un kirio. O, mejor, qué es “lo kirio” como concepto, qué lo distingue, qué lo caracteriza. En este trabajo intento ofrecer una respuesta a esta pregunta. Instituto de Filosofía Argentina y Americana, Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2023-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo evaluado por pares Artigo revisado por pares application/pdf text/xml https://revistas.uncu.edu.ar/ojs3/index.php/anuariocuyo/article/view/7465 Cuyo. Anuario de Filosofía Argentina y Americana; Vol. 43 (2023): Dossier: En busca de la filosofía uruguaya; 21-47 1853-3175 1514-9935 spa https://revistas.uncu.edu.ar/ojs3/index.php/anuariocuyo/article/view/7465/6123 https://revistas.uncu.edu.ar/ojs3/index.php/anuariocuyo/article/view/7465/6275 Derechos de autor 2023 Aníbal Corti https://creativecommons.org/licenses/by-nc-sa/4.0/ |
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Corti, Aníbal El significado de lo “kirio” en el pensamiento tardío de Pedro Figari Pedro Figari pensamiento utópico pensamiento latinoamericano crítica de la modernidad Pedro Figari utopian thought Latin American thought criticism of Modernity |
author_facet |
Corti, Aníbal |
author_sort |
Corti, Aníbal |
title |
El significado de lo “kirio” en el pensamiento tardío de Pedro Figari |
title_short |
El significado de lo “kirio” en el pensamiento tardío de Pedro Figari |
title_full |
El significado de lo “kirio” en el pensamiento tardío de Pedro Figari |
title_fullStr |
El significado de lo “kirio” en el pensamiento tardío de Pedro Figari |
title_full_unstemmed |
El significado de lo “kirio” en el pensamiento tardío de Pedro Figari |
title_sort |
meaning of “kirio” in pedro figari’s late thought |
description |
The Uruguayan Pedro Figari (1861-1938), a prominent painter, was also an original thinker. He was the author of a utopian/satirical novel, Historia kiria (1930), a work published in Paris, where he lived between 1925 and 1934. Not widely known and barely read, Figari presented in that novel the kirios, an imaginary archaic civilization whose old and good “essential virtues” he transformed into a universal standard of reasonableness and common sense: a standard from which he judged the events of the world around him, and its protagonists. As soon as the novel was published, Figari adopted the kirio point of view to formulate actuality comments and reflections, something of which there is abundant testimony in his correspondence from the period. Since it is not immediately obvious, it makes sense to ask what it was like for Figari to be a kirio. Or, better, what kirio is as a concept: what distinguishes it, what characterizes it. In this work, I try to offer an answer to this question. |
publisher |
Instituto de Filosofía Argentina y Americana, Facultad de Filosofía y Letras, Universidad Nacional de Cuyo |
publishDate |
2023 |
url |
https://revistas.uncu.edu.ar/ojs3/index.php/anuariocuyo/article/view/7465 |
topic |
Pedro Figari pensamiento utópico pensamiento latinoamericano crítica de la modernidad Pedro Figari utopian thought Latin American thought criticism of Modernity |
topic_facet |
Pedro Figari pensamiento utópico pensamiento latinoamericano crítica de la modernidad Pedro Figari utopian thought Latin American thought criticism of Modernity |
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