Deconstruyendo aspectos del mito de Galina Tolmacheva y el teatro independiente en Mendoza a mediados del siglo XX: voces y silencios femeninos en el discurso teatral de la época y su continuidad en nuestros días
Between 1930 and 1960 the theatrical activity that takes place in Mendoza results in it’s affirmation and professionalization. This is due, among other things, to the rise of the Independent Theater, the Harvest Festival celebration and the founding of the Drama School in 1949, that will depend on t...
Guardado en:
| Autores principales: | , |
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| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Instituto de Literaturas Modernas
2019
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/2718 |
| Sumario: | Between 1930 and 1960 the theatrical activity that takes place in Mendoza results in it’s affirmation and professionalization. This is due, among other things, to the rise of the Independent Theater, the Harvest Festival celebration and the founding of the Drama School in 1949, that will depend on the National University of Cuyo; its training matrix is based on the notion of ethics by Konstantin Stanislavski (Russia 1863-1938), publized in Mendoza by Galina Tolmacheva. We will try to pinpoint the feminine voices and silences in the theatrical discourse of the time within the singularities that take place in that ephocal moment, as well as in relation to Independent Theater / Superior School of Theater. |
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