Tema: habitus cultural y heterodoxia en la estructura metateatral de Historia de una escalera, de Antonio Buero Vallejo
Historia de una escalera aesthetically collects the elements of the heterodox consciousness of the individual subject that prolongs the matrix lines of the cultural subject that is inherent to it. The signifiers of this piece are those that mediate the socio-economic components that run through it....
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Instituto de Literaturas Modernas
2021
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/3765 |
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I11-R93article-37652022-02-22T15:45:23Z Topic: cultural habitus and heterodoxy in the metateatral structure of Historia de una escalera, by Antonio Buero Vallejo Tema: habitus cultural y heterodoxia en la estructura metateatral de Historia de una escalera, de Antonio Buero Vallejo Ndri, Amon Paul Habitus Heterodoxia Ortodoxia Campos Sujeto Habitus Heterodoxy Orthodoxy Fields Subject Historia de una escalera aesthetically collects the elements of the heterodox consciousness of the individual subject that prolongs the matrix lines of the cultural subject that is inherent to it. The signifiers of this piece are those that mediate the socio-economic components that run through it. That is why, within the reception process, far from being an insignificant element, "the ladder" is the metonymy of the social contradictions that reveal the existence of a non-unambiguous thought. What is more, it is a hinge that turns around the cultural fields proper to the heterodoxy of the anti-conformist self versus the refractory orthodoxy of the establishment. The sectors of mentality in presence determine the ideological confrontation that generates a certain functionality in the work. The characters involved in it perfectly remind us of the existence of an ideological dichotomy called to be overcome by the dynamics of action. Hence, the tragic conscience that does not end in death, but in the ethical feeling of not agreeing with social immobility. That is why, in the midst of the confusion created, a gap is opened through which a new horizon and a new being are contemplated. Historia de una escalera recoge estéticamente los elementos de la conciencia heterodoxa del sujeto individual que prolonga las líneas matrices del sujeto cultural que le es consustancial. Los significantes de esta pieza son los que mediatizan los componentes socio-económicos que la atraviesan. Por eso, dentro del proceso de recepción, lejos de ser un elemento insignificante, "la escalera" es la metonimia de las contradicciones sociales que ponen al descubierto la existencia de un pensamiento no unívoco. Es más, es un gozne que deja girar a su alrededor los campos culturales propios de la heterodoxia del yo anticonformista frente a la ortodoxia refractaria del establishment. Los sectores de mentalidad en presencia determinan el enfrentamiento ideológico que gestan en la obra una determinada funcionalidad. Los personajes que en ella intervienen nos recuerdan perfectamente la existencia de una dicotomía ideológica llamada a ser superada por la dinámica de la acción. De ahí, la conciencia trágica que no desemboca en la muerte, sino en el sentimiento ético de no pactar con el inmovilismo social. Por eso, en el medio de la confusión creada se abre un resquicio por el que se contemplan un nuevo horizonte y un nuevo ser. Instituto de Literaturas Modernas 2021-09-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Article evaluated by two external evaluators Artículo evaluado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/3765 Revista de literaturas modernas; Vol. 51 No. 1 (2021); 53-72 Revista de Literaturas Modernas; Vol. 51 Núm. 1 (2021); 53-72 Revista de literaturas modernas; V. 51 N. 1 (2021); 53-72 2683-8389 0556-6134 spa https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/3765/3929 Derechos de autor 2021 Revista de literaturas modernas https://creativecommons.org/licenses/by-nd/2.5/ar/ |
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Revista de Literaturas Modernas |
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spa |
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Online |
| author |
Ndri, Amon Paul |
| spellingShingle |
Ndri, Amon Paul Tema: habitus cultural y heterodoxia en la estructura metateatral de Historia de una escalera, de Antonio Buero Vallejo Habitus Heterodoxia Ortodoxia Campos Sujeto Habitus Heterodoxy Orthodoxy Fields Subject |
| author_facet |
Ndri, Amon Paul |
| author_sort |
Ndri, Amon Paul |
| title |
Tema: habitus cultural y heterodoxia en la estructura metateatral de Historia de una escalera, de Antonio Buero Vallejo |
| title_short |
Tema: habitus cultural y heterodoxia en la estructura metateatral de Historia de una escalera, de Antonio Buero Vallejo |
| title_full |
Tema: habitus cultural y heterodoxia en la estructura metateatral de Historia de una escalera, de Antonio Buero Vallejo |
| title_fullStr |
Tema: habitus cultural y heterodoxia en la estructura metateatral de Historia de una escalera, de Antonio Buero Vallejo |
| title_full_unstemmed |
Tema: habitus cultural y heterodoxia en la estructura metateatral de Historia de una escalera, de Antonio Buero Vallejo |
| title_sort |
topic: cultural habitus and heterodoxy in the metateatral structure of historia de una escalera, by antonio buero vallejo |
| description |
Historia de una escalera aesthetically collects the elements of the heterodox consciousness of the individual subject that prolongs the matrix lines of the cultural subject that is inherent to it. The signifiers of this piece are those that mediate the socio-economic components that run through it. That is why, within the reception process, far from being an insignificant element, "the ladder" is the metonymy of the social contradictions that reveal the existence of a non-unambiguous thought. What is more, it is a hinge that turns around the cultural fields proper to the heterodoxy of the anti-conformist self versus the refractory orthodoxy of the establishment. The sectors of mentality in presence determine the ideological confrontation that generates a certain functionality in the work. The characters involved in it perfectly remind us of the existence of an ideological dichotomy called to be overcome by the dynamics of action. Hence, the tragic conscience that does not end in death, but in the ethical feeling of not agreeing with social immobility. That is why, in the midst of the confusion created, a gap is opened through which a new horizon and a new being are contemplated. |
| publisher |
Instituto de Literaturas Modernas |
| publishDate |
2021 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/3765 |
| topic |
Habitus Heterodoxia Ortodoxia Campos Sujeto Habitus Heterodoxy Orthodoxy Fields Subject |
| topic_facet |
Habitus Heterodoxia Ortodoxia Campos Sujeto Habitus Heterodoxy Orthodoxy Fields Subject |
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