Horror y distopía en la narrativa de Beatriz Ardesi
The narrative of Beatriz Ardesi offers innovative features that stand out. In his second collection of stories, Three Demons [2021], she explores new possibilities of realism from a mythical, archetypal background, achieving a grotesque effect of reality, exploring its apparently more dayly aspects,...
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Instituto de Literaturas Modernas
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/6064 |
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I11-R93article-60642022-12-01T12:12:15Z Horror and Dystopia in the Narrative of Beatriz Ardesi Horror y distopía en la narrativa de Beatriz Ardesi Castellino, Marta Elena Narrativa mendocina Gótico Nueva novela Argentina Mendoza narrative Gothic New Argentine novel The narrative of Beatriz Ardesi offers innovative features that stand out. In his second collection of stories, Three Demons [2021], she explores new possibilities of realism from a mythical, archetypal background, achieving a grotesque effect of reality, exploring its apparently more dayly aspects, but with great symbolic depth. Thus, common stories become metaphysical allegories: the first micro-story, which gives the volume its title, fully installs us in the dystopian atmosphere that permeates most of the texts. The complicity with the reader is achieved through the deceptive song of sirens that weaves a verbal first person (protagonist or witness) that traps us with the pretended innocence of a conscience incapable of discerning truth and lies, reality and fiction. The analysis will address the narrative procedures by which Ardesi's text manages to immerse the reader in an ominous environment: at first, the narrative voice, responsible for the horror effect it produces, but without neglecting other essential components: the terrifying space, a true "touchstone" of the Gothic mode, considered not as simple topos but as an active agent in the development of the plots. La obra narrativa de la mendocina Beatriz Ardesi presenta rasgos renovadores que la destacan. En su segunda colección de relatos, Tres demonios [2021], explora nuevas posibilidades del realismo a partir de un fondo mítico, arquetípico, logrando un efecto esperpentizador de la realidad, explorándola en sus aspectos aparentemente más cotidianos, pero con una gran profundidad simbólica. Así, historias comunes llegan a convertirse en alegorías metafísicas: el primer microrrelato, que da título al volumen, nos instala de lleno en la atmósfera distópica que impregna la mayoría de los textos. La complicidad con el lector se logra a través del engañoso canto de sirenas que teje una primera persona verbal (protagonista o testigo) que nos atrapa con la pretendida inocencia de una conciencia incapaz de discernir verdad y mentira, realidad y ficción. El análisis abordará los procedimientos narrativos por los que se logra sumergir al lector en un ambiente ominoso: en primer lugar, la voz narrativa, responsable del efecto de horror que produce el texto, pero sin dejar de lado otros componentes esenciales: el espacio aterrador, verdadera “piedra de toque” del modo gótico, considerado no como simple topos sino como agente activo en el desenvolvimiento de las tramas. Instituto de Literaturas Modernas 2022-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Article evaluated by two external evaluators Artículo evaluado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/6064 Revista de literaturas modernas; Vol. 52 No. 2 (2022): Dossier: Homage to Gabriela Mistral; 43-68 Revista de Literaturas Modernas; Vol. 52 Núm. 2 (2022): Dossier: Homenaje a Gabriela Mistral; 43-68 Revista de literaturas modernas; V. 52 N. 2 (2022): Dossier: Homenaje a Gabriela Mistral; 43-68 2683-8389 0556-6134 spa https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/6064/5164 Derechos de autor 2022 Marta Elena Castellino https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es |
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Universidad Nacional de Cuyo |
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Revistas en línea |
| filtrotop_str |
Revistas en línea |
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Revista de Literaturas Modernas |
| journal_title_str |
Revista de Literaturas Modernas |
| institution_str |
I-11 |
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R-93 |
| language |
spa |
| format |
Online |
| author |
Castellino, Marta Elena |
| spellingShingle |
Castellino, Marta Elena Horror y distopía en la narrativa de Beatriz Ardesi Narrativa mendocina Gótico Nueva novela Argentina Mendoza narrative Gothic New Argentine novel |
| author_facet |
Castellino, Marta Elena |
| author_sort |
Castellino, Marta Elena |
| title |
Horror y distopía en la narrativa de Beatriz Ardesi |
| title_short |
Horror y distopía en la narrativa de Beatriz Ardesi |
| title_full |
Horror y distopía en la narrativa de Beatriz Ardesi |
| title_fullStr |
Horror y distopía en la narrativa de Beatriz Ardesi |
| title_full_unstemmed |
Horror y distopía en la narrativa de Beatriz Ardesi |
| title_sort |
horror and dystopia in the narrative of beatriz ardesi |
| description |
The narrative of Beatriz Ardesi offers innovative features that stand out. In his second collection of stories, Three Demons [2021], she explores new possibilities of realism from a mythical, archetypal background, achieving a grotesque effect of reality, exploring its apparently more dayly aspects, but with great symbolic depth. Thus, common stories become metaphysical allegories: the first micro-story, which gives the volume its title, fully installs us in the dystopian atmosphere that permeates most of the texts. The complicity with the reader is achieved through the deceptive song of sirens that weaves a verbal first person (protagonist or witness) that traps us with the pretended innocence of a conscience incapable of discerning truth and lies, reality and fiction. The analysis will address the narrative procedures by which Ardesi's text manages to immerse the reader in an ominous environment: at first, the narrative voice, responsible for the horror effect it produces, but without neglecting other essential components: the terrifying space, a true "touchstone" of the Gothic mode, considered not as simple topos but as an active agent in the development of the plots. |
| publisher |
Instituto de Literaturas Modernas |
| publishDate |
2022 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/6064 |
| topic |
Narrativa mendocina Gótico Nueva novela Argentina Mendoza narrative Gothic New Argentine novel |
| topic_facet |
Narrativa mendocina Gótico Nueva novela Argentina Mendoza narrative Gothic New Argentine novel |
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AT castellinomartaelena horroranddystopiainthenarrativeofbeatrizardesi AT castellinomartaelena horrorydistopiaenlanarrativadebeatrizardesi |
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