Los rastros de violencia en el personaje mítico de Medea en Polifonía de Diana de Paco Serrano
Perhaps Polifonía (2001) constitutes one of the outstanding works of the contemporary Spanish literature that uses the Greek myths as a sublayer background of the dramaturgy. The author, Diana de Paco Serrano gives voice to four women highly known in the ancient times. Penelope, Phaedra, Clytemnestr...
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| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Instituto de Literaturas Modernas
2023
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/6727 |
| Sumario: | Perhaps Polifonía (2001) constitutes one of the outstanding works of the contemporary Spanish literature that uses the Greek myths as a sublayer background of the dramaturgy. The author, Diana de Paco Serrano gives voice to four women highly known in the ancient times. Penelope, Phaedra, Clytemnestra and Medea open dialogues among themselves and with their pairs, the men who have marked them in the past. Paco Serrano tries to re-code, in fifteen scenes of a harmonious piece, the role of the woman starting from the guilt, key of the play, and thus she tries to reconstruct the tragic fate of each heroine. From the psychological conscience they are located in an imaginary prison out of time and space, and as prisoners of a role they revive the myth that belongs to them from a meta-theatrical game. So, myth, territory and violence are presented from a feminine perspective. |
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