Neomuralismo y políticas culturales en México y Argentina: Análisis comparado de dos casos
This article seeks to question, from a perspective situated in Mexico and Argentina, the effects of the progressive implementation of cultural policies on the rise of neomuralism; starting from the premise that this renewed and self-managed movement has emerged in Latin American cities at the beginn...
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| Formato: | Online |
| Lenguaje: | spa |
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Instituto Multidisciplinario de Estudios Sociales Contemporáneos
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/estudiosocontemp/article/view/4499 |
| Sumario: | This article seeks to question, from a perspective situated in Mexico and Argentina, the effects of the progressive implementation of cultural policies on the rise of neomuralism; starting from the premise that this renewed and self-managed movement has emerged in Latin American cities at the beginning of the new millennium. Some works have indeed shown that it derived in Mexico from graffiti, which gained momentum in 1995 with the "chavos banda", while it had developed with great vigor in Argentina since the economic, political and institutional crisis of 2001. It therefore stems from popular mobilizations, i.e. outside official spaces, at a time when new identity dynamics were being built. However, we have observed in recent years a particular interest of institutions in this militant art, as well as a demand by artists to legally regulate their practice. In the light of a multidisciplinary theoretical base that mobilizes the fields of visual arts, sociology and urban studies, and based on a quantitative as well as qualitative analysis, we will then question the role that cultural policies can play in the recognition and valorization of neomuralism, examining its contributions, but also its limits.
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