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| LEADER |
00815nam#a22003257a#4500 |
| 001 |
OSC033690 |
| 003 |
OSC |
| 005 |
20070604123030 |
| 008 |
||||||s1978 sp |||| ||| ||spa d |
| 020 |
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|a 8425207177
|
| 040 |
# |
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|a OSC
|b spa
|c OSC
|
| 092 |
# |
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|c 778.5
|l A567
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| 100 |
1 |
# |
|a Andrew, J. Dudley
|
| 245 |
1 |
0 |
|a Las principales teorías cinematográficas.
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| 260 |
# |
# |
|a Barcelona :
|b Gustavo Gili,
|c 1978.
|
| 300 |
# |
# |
|a 274 p.
|
| 650 |
0 |
4 |
|a CINE
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| 650 |
0 |
4 |
|a CINEMATOGRAFÍA
|
| 650 |
0 |
4 |
|a ESTÉTICA
|
| 650 |
0 |
4 |
|a PSICOLOGÍA DEL ARTE
|
| 650 |
0 |
4 |
|a FILOSOFÍA DEL ARTE
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| 650 |
0 |
4 |
|a LINGÜISTICA
|
| 650 |
0 |
4 |
|a REALISMO EN LA CINEMATOGRAFÍA
|
| 907 |
# |
# |
|a TEXTO
|
| 930 |
# |
# |
|a 13160-F
|b ej. 1
|
| 934 |
# |
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|a ej.2:13161-F
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| 934 |
# |
# |
|a ej.3:13162-F
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| 934 |
# |
# |
|a ej.4:13163-F
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| 934 |
# |
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|a ej.5:13164-F
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| 999 |
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|a PAT
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