Arte de la conjugación
Circumstances make of Octavio Paz’ work a very special model. His production originates in the peak of vanguards, and it goes on up to even much later than the high spirited period of these. It can be used as a representation of the conflictive dialogue that exists between dominant and emergent...
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| Publicado en: | Revista de Literaturas Modernas |
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| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=1130 |
| Sumario: | Circumstances make of Octavio Paz’ work a very special model. His
production originates in the peak of vanguards, and it goes on up to even
much later than the high spirited period of these. It can be used as a
representation of the conflictive dialogue that exists between dominant
and emergent languages, signed by rupture and an attempt to renovate.
In this context, the main objective of this paper consists in
deepening the links between Paz’ work and the surrealist trend,
proposing a third way of relationship between both that has not been
tackled by the critics sufficiently. Aspects of his critical production as well
as of his poetry, specially Poemas (1935-1975), re-edited in 1981, will be
analyzed to highlight the place that the memory of a poet definitely
consecrated keeps to his “tangential” surrealist experience.
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