Arte de la conjugación
Circumstances make of Octavio Paz’ work a very special model. His production originates in the peak of vanguards, and it goes on up to even much later than the high spirited period of these. It can be used as a representation of the conflictive dialogue that exists between dominant and emergent...
Guardado en:
| Publicado en: | Revista de Literaturas Modernas |
|---|---|
| Autor principal: | |
| Materias: | |
| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=1130 |
| descriptores_str_mv |
Crítica e interpretación Essay Latin american poetry Literatura de vanguardia Literatura mexicana Paz, Octavio Poesía de la postvanguardia Poesía hispanoamericana Poesía mexicana Siglo XX Surrealism (literature) Surrealismo (literatura) Vanguardias Vanguards |
|---|---|
| todos_str_mv |
1128 93 spa University of Connecticut- Storrs |
| titulo_str_mv |
Arte de la conjugación |
| description_str_mv |
Circumstances make of Octavio Paz’ work a very special model. His
production originates in the peak of vanguards, and it goes on up to even
much later than the high spirited period of these. It can be used as a
representation of the conflictive dialogue that exists between dominant
and emergent languages, signed by rupture and an attempt to renovate.
In this context, the main objective of this paper consists in
deepening the links between Paz’ work and the surrealist trend,
proposing a third way of relationship between both that has not been
tackled by the critics sufficiently. Aspects of his critical production as well
as of his poetry, specially Poemas (1935-1975), re-edited in 1981, will be
analyzed to highlight the place that the memory of a poet definitely
consecrated keeps to his “tangential” surrealist experience.
La circunstancia de haberse iniciado la obra de Octavio Paz en pleno auge de las vanguardias y de haber evolucionado hasta mucho después de acabado el período de efervescencia de éstas facilita que sirva de modelo del conflictivo diálogo entre lenguajes prontamente dominantes y lenguajes emergentes, signados por la ruptura y el intento de renovación. En este contexto, el objetivo principal de este trabajo es ahondar en torno a los vínculos entre la obra de Paz y la corriente surrealista, proponiendo un tercer modo de relación entre ambos que no ha sido abordado suficientemente por la crítica. Para ello se analizarán aspectos de su obra crítica y de su poesía, en especial la contenida en Poemas (1935-1975) reeditados en 1981, para destacar el lugar que la memoria de un poeta definitivamente consagrado todavía reservaba a su experiencia surrealista "tangencial". |
| autor_str_mv |
Gomes, Miguel |
| disciplina_str_mv |
Letras y literatura |
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Textual: Revistas |
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1130 |
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Artículo de Revista |
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article |
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Revista de Literaturas Modernas |
| journal_title_str |
Revista de Literaturas Modernas |
| journal_id_str |
r-93 |
| container_issue |
Revista de Literaturas Modernas |
| container_volume |
No. 36 |
| journal_issue_str |
No. 36 |
| tipo_str |
textuales |
| type_str_mv |
Articulos |
| title_full |
Arte de la conjugación |
| title_fullStr |
Arte de la conjugación Arte de la conjugación |
| title_full_unstemmed |
Arte de la conjugación Arte de la conjugación |
| description |
Circumstances make of Octavio Paz’ work a very special model. His
production originates in the peak of vanguards, and it goes on up to even
much later than the high spirited period of these. It can be used as a
representation of the conflictive dialogue that exists between dominant
and emergent languages, signed by rupture and an attempt to renovate.
In this context, the main objective of this paper consists in
deepening the links between Paz’ work and the surrealist trend,
proposing a third way of relationship between both that has not been
tackled by the critics sufficiently. Aspects of his critical production as well
as of his poetry, specially Poemas (1935-1975), re-edited in 1981, will be
analyzed to highlight the place that the memory of a poet definitely
consecrated keeps to his “tangential” surrealist experience.
|
| dependencia_str_mv |
Facultad de Filosofía y Letras |
| title |
Arte de la conjugación |
| spellingShingle |
Arte de la conjugación Crítica e interpretación Essay Latin american poetry Literatura de vanguardia Literatura mexicana Paz, Octavio Poesía de la postvanguardia Poesía hispanoamericana Poesía mexicana Siglo XX Surrealism (literature) Surrealismo (literatura) Vanguardias Vanguards Gomes, Miguel |
| topic |
Crítica e interpretación Essay Latin american poetry Literatura de vanguardia Literatura mexicana Paz, Octavio Poesía de la postvanguardia Poesía hispanoamericana Poesía mexicana Siglo XX Surrealism (literature) Surrealismo (literatura) Vanguardias Vanguards |
| topic_facet |
Crítica e interpretación Essay Latin american poetry Literatura de vanguardia Literatura mexicana Paz, Octavio Poesía de la postvanguardia Poesía hispanoamericana Poesía mexicana Siglo XX Surrealism (literature) Surrealismo (literatura) Vanguardias Vanguards |
| author |
Gomes, Miguel |
| author_facet |
Gomes, Miguel |
| title_sort |
Arte de la conjugación |
| title_short |
Arte de la conjugación |
| url |
https://bdigital.uncu.edu.ar/fichas.php?idobjeto=1130 |
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3 |
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Biblioteca Digital |
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Biblioteca Digital |
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Artículo de Revista |
| institution |
Sistema Integrado de Documentación |
| indexed_str |
2023-04-25 00:38 |
| _version_ |
1764120363572133888 |
