Rubén Darío y Miguel de Unamuno

By 1900 a vast colony of living American writers in Paris, attracted by the great metropolis, and attracted because they saw in it a chance to live letters, letters crossed -some of them passionate- with the Spanish writers who professed a deep rejection French symbolism products whose most recent...

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Detalles Bibliográficos
Publicado en:	Revista de Literaturas Modernas
Autor principal:	Pasquaré, Andrea
Materias:	Canon literario Capital intelectual Correspondencia Darío, Rubén Epistolarios Literatura española Literatura hispanoamericana Tradición hispana Unamuno, Miguel de
Acceso en línea:	https://bdigital.uncu.edu.ar/fichas.php?idobjeto=12374

todos_str_mv	12275 93 Artículos FFYL spa UNS
description_str_mv	By 1900 a vast colony of living American writers in Paris, attracted by the great metropolis, and attracted because they saw in it a chance to live letters, letters crossed -some of them passionate- with the Spanish writers who professed a deep rejection French symbolism products whose most recent tradition-up imitation American modernism had positioned. The center of this dispute with Latin American Unamuno was his choice of France as its intellectual source. Caused his Gallophobia did fight misguardises Gallicisms presents in spanish american letters and declare him deeply misógalo, against all things French. His rejection of the French whom he judged admirably equipped for science but not for art born of involvement he saw in past aesthetic productions. In the letters written between 1900 and 1904 that was crossing with American intellectuals, Unamuno not fail to insist on the need to abandon the seduction for all French and explore the genuine sources of the Latin and American tradition. In particular, in his letters Ruben Dario discuses with Unamuno defending the Francophone tradition and the centrality of Paris he occupied the Americanists letters, was the sad result of neglect and lack of editors and Spanish cultural press, mainly residents of Madrid, by the news of the Latin American literature. However, Dario will not fail to see Unamuno as one of the greatest references of Spanish-speaking letters, and name it "spiritual leader" of his generation. In this direction the Spanish writer, now in its critical function, try to redirect their younger partners to Spanish letters within the Latin American tradition, exploring its continental constituent bases, which could not deny the metropolitan sources of the Latin American tradition. Hacia 1900 una vasta colonia de escritores americanos residentes en París, seducidos por la gran metrópoli, y atraídos porque veían en ella una posibilidad de vivir de las letras, cruzaban cartas –algunas de ellas encendidas- con el escritor español quien profesaba una profundo rechazo por los productos del simbolismo francés en cuya tradición más reciente –y hasta imitación- el modernismo americano se había posicionado. El centro de esta controversia de Unamuno con los latinoamericanos era su elección de Francia como su fuente intelectual. Su galofobia lo hizo combatir los galicismos misguardises presentes en las letras del castellano americano, y se declarará profundamente misógalo, en contra de todo lo francés. Su rechazo a lo francés, a quienes juzgaba admirablemente dotados para la ciencia pero no para el arte, nacía de la afectación que veía en los últimas producciones estéticas. En las cartas escritas entre 1900 y 1904 que fue cruzando con intelectuales americanos, Unamuno no dejará de insistir en la necesidad de abandonar la seducción por todo lo francés y explorar las fuentes genuinas de la tradición latino y americana. En sus cartas Rubén Darío saldrá al cruce de Unamuno defendiendo la tradición francófona y el lugar central que París ocupaba las letras americanistas, era el triste resultado del abandono y desinterés de editores y prensa cultural española, principalmente residentes en Madrid, por las novedades de la literatura hispanoamericana. Sin embargo, Darío no dejará de ver a Unamuno como una de los mayores referentes de las letras hispanohablantes, y de nombrarlo “espíritu director“ de su generación. En esa dirección el escritor español, ahora en su función de crítico, intentará reconducir a sus interlocutores más jóvenes hacia las letras castellanas dentro de la tradición latinoamericana, explorando sus bases constitutivas continentales, en las que no podían negar las fuentes metropolitanas.
descriptores_str_mv	Canon literario Capital intelectual Correspondencia Darío, Rubén Epistolarios Literatura española Literatura hispanoamericana Tradición hispana Unamuno, Miguel de
disciplina_str_mv	Ciencias e Investigación Letras y literatura
autor_str_mv	Pasquaré, Andrea
titulo_str_mv	Rubén Darío and Miguel de Unamuno Rubén Darío y Miguel de Unamuno
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journal_title_str	Revista de Literaturas Modernas
journal_id_str	r-93
container_issue	Revista de Literaturas Modernas
container_volume	Vol. 47, no. 1
journal_issue_str	Vol. 47, no. 1
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title_full	Rubén Darío y Miguel de Unamuno
title_fullStr	Rubén Darío y Miguel de Unamuno Rubén Darío y Miguel de Unamuno
title_full_unstemmed	Rubén Darío y Miguel de Unamuno Rubén Darío y Miguel de Unamuno
description	By 1900 a vast colony of living American writers in Paris, attracted by the great metropolis, and attracted because they saw in it a chance to live letters, letters crossed -some of them passionate- with the Spanish writers who professed a deep rejection French symbolism products whose most recent tradition-up imitation American modernism had positioned. The center of this dispute with Latin American Unamuno was his choice of France as its intellectual source. Caused his Gallophobia did fight misguardises Gallicisms presents in spanish american letters and declare him deeply misógalo, against all things French. His rejection of the French whom he judged admirably equipped for science but not for art born of involvement he saw in past aesthetic productions. In the letters written between 1900 and 1904 that was crossing with American intellectuals, Unamuno not fail to insist on the need to abandon the seduction for all French and explore the genuine sources of the Latin and American tradition. In particular, in his letters Ruben Dario discuses with Unamuno defending the Francophone tradition and the centrality of Paris he occupied the Americanists letters, was the sad result of neglect and lack of editors and Spanish cultural press, mainly residents of Madrid, by the news of the Latin American literature. However, Dario will not fail to see Unamuno as one of the greatest references of Spanish-speaking letters, and name it "spiritual leader" of his generation. In this direction the Spanish writer, now in its critical function, try to redirect their younger partners to Spanish letters within the Latin American tradition, exploring its continental constituent bases, which could not deny the metropolitan sources of the Latin American tradition.
dependencia_str_mv	Facultad de Filosofía y Letras
title	Rubén Darío y Miguel de Unamuno
spellingShingle	Rubén Darío y Miguel de Unamuno Canon literario Capital intelectual Correspondencia Darío, Rubén Epistolarios Literatura española Literatura hispanoamericana Tradición hispana Unamuno, Miguel de Pasquaré, Andrea
topic	Canon literario Capital intelectual Correspondencia Darío, Rubén Epistolarios Literatura española Literatura hispanoamericana Tradición hispana Unamuno, Miguel de
topic_facet	Canon literario Capital intelectual Correspondencia Darío, Rubén Epistolarios Literatura española Literatura hispanoamericana Tradición hispana Unamuno, Miguel de
author	Pasquaré, Andrea
author_facet	Pasquaré, Andrea
tags_str_mv	FFYL
title_sort	Rubén Darío y Miguel de Unamuno
title_short	Rubén Darío y Miguel de Unamuno
url	https://bdigital.uncu.edu.ar/fichas.php?idobjeto=12374
estado_str	3
building	Biblioteca Digital
filtrotop_str	Biblioteca Digital
collection	Artículo de Revista
institution	Sistema Integrado de Documentación
indexed_str	2023-04-25 00:35
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Rubén Darío y Miguel de Unamuno

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