La translación de un clásico literario a la pantalla: Bodas de sangre, entre la fidelidad y la traición

The Bride (2015), a film adaptation of Blood Wedding directed by Paula Ortiz, is not an exact translation of the play to the cinematographic language. The filmmaker from Zaragoza opts for a free adaptation, creating an autonomous work of art. By focusing on some of the most relevant variations betwe...

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Detalles Bibliográficos
Autor principal: Alcalde, Verónica
Formato: Online
Lenguaje:spa
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2019
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2287
Descripción
Sumario:The Bride (2015), a film adaptation of Blood Wedding directed by Paula Ortiz, is not an exact translation of the play to the cinematographic language. The filmmaker from Zaragoza opts for a free adaptation, creating an autonomous work of art. By focusing on some of the most relevant variations between tragedy and its translation, such as space and time, we reflect on its possible causes and the interesting repercussions on the audiovisual text. We show that taking distance from the text Ortiz achieves the resonances of the spirit and aesthetics of Lorca. In other words, she is more "faithful" to the work of Federico García Lorca when she assumes the risk of "treason".