La vitalidad de los objetos en la autorreferencialidad payasa
The text addresses the treatment of objects in the clowning universe, the self-referential imprint they possess and the poetic power they acquire when they are decontextualized and released from the utility that they were built for. The work on immediacy, emptiness, histrionics and the authenticity...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2022
|
| Materias: | |
| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/5855 |
| Sumario: | The text addresses the treatment of objects in the clowning universe, the self-referential imprint they possess and the poetic power they acquire when they are decontextualized and released from the utility that they were built for. The work on immediacy, emptiness, histrionics and the authenticity of the clown is linked to the research made by the specialist Shaday Larios on the intractability of objects and poetic procedures that enable multiple metaphoric relationships, based on reflection on personal experience, both in the clown approach and stage direction and pedagogical coordination. The paradoxical link between histrionics and emptiness is developed and characterizes the practice of clowning and its translation in term of fiction and reality through living objects. |
|---|
