Los significantes escénicos resonantes como marcas de autorreferencialidad en la construcción de cartografías teatrales
In the contemporary scene we find a very complex production of textual and iconic signifiers and, through its analysis, we can elucidate the macropoetics of certain authors and directors, in order to elaborate cartographies of productions that allow us to think about a certain corpus. After exposing...
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| Formato: | Online |
| Lenguaje: | spa |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/5875 |
| Sumario: | In the contemporary scene we find a very complex production of textual and iconic signifiers and, through its analysis, we can elucidate the macropoetics of certain authors and directors, in order to elaborate cartographies of productions that allow us to think about a certain corpus. After exposing some problems of interpretation studied by hermeneutics, reception semiotics, neo-Marxist critical theory and psychoanalysis, the article focuses on the “desiring vectors” proposed by Patrice Pavis and other categories extrapolated from psychoanalysis and post-structuralism as a way of building relationships between plays, and between creation processes and expectation. From this treatment of the scenic signifiers, we observe that the scenic procedures stress fiction and reality to such an extent that we could identify “marks” at certain moments of the productions that refer to the diverse conceptions and life experiences of the creators. In this way, signifiers become carriers of fragments of subjectivity. |
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