Ángel Guido, contraarchivista

An archival impulse (Foster, 2017) leads us towards Ángel Guido (Rosario, 1896-1960), who devoted his whole life to the cultural nationalism through his architecture, writings, art history, lecturing and university management activities. In this paper, we will examine his final essay (Antelo, 2007)...

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Autor principal: Antequera, María Florencia
Formato: Online
Lenguaje:spa
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2024
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7324
id I11-R112article-7324
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spelling I11-R112article-73242024-04-02T20:13:37Z Ángel Guido, counter-archivist Ángel Guido, contraarchivista Antequera, María Florencia Ángel Guido archivo Redescubrimiento de América en el arte (1940) Ángel Guido archive Redescubrimiento de América en el arte (1940) An archival impulse (Foster, 2017) leads us towards Ángel Guido (Rosario, 1896-1960), who devoted his whole life to the cultural nationalism through his architecture, writings, art history, lecturing and university management activities. In this paper, we will examine his final essay (Antelo, 2007) and will refer to the work Redescubrimiento de América en el arte (1940) from the perspective of the counter-archives, i.e., the rewriting and recording of historical narratives to dismantle hierarchies and canons of various hegemonic stories (Cámara, 2022), which opened a discussion about emancipated art and architecture—a concern Guido had had since his youth. The critical exercise herein presented includes inedited texts as well as recovered writings that have not been reedited—the impulse we have followed in a long-lasting breathtaking task to build this archive. This Americanistic Euro Indian archive with which Guido worked is placed in the middle of a still ongoing operation in the arts. Indeed, this does not consist of transcending the traditional problem of the archival collection but of “dislocating” their uses (Antelo, 2014) in order to go beyond a book-centrist approach. Indeed, an archive is never totally completed: its situation will get better and better through the state of archiving (Derrida, 1995), the reason by which Guido’s work, in some way, will not cease to rewrite itself. Un impulso de archivo (Foster, 2017) nos conduce hacia Ángel Guido (Rosario, 1896-1960), quien dedicó su vida al nacionalismo cultural a través de la arquitectura, la escritura, la historia del arte, la docencia y gestión universitarias. En esta comunicación, nos interesa auscultar su ensayo definitivo (Antelo, 2007), nos referimos al volumen Redescubrimiento de América en el arte (1940), desde una perspectiva del contraarchivo, esto es, desde el trabajo de reescritura de relatos históricos que desmontan jerarquías y cánones de relatos hegemónicos (Cámara, 2022) e inscribirlos en un debate por un arte y una arquitectura emancipados, preocupación que atravesó a Guido desde su juventud. El ejercicio crítico que aquí proponemos incluye textos inéditos y la recuperación de otros no reeditados, en el marco de una tarea de largo aliento que venimos desarrollando. Ese archivo –americanista, euríndico– con el que Guido está maniobrando se coloca en el centro de una operación en curso, en las artes, que no consiste en transcender la tradicional problemática del coleccionismo, sino en dislocar sus usos (Antelo, 2014) para ir más allá del librocentrismo. Porque un archivo no se establece de una vez y para siempre: su situación será mejor la de un estado de archivación (Derrida, 1995), razón por la cual, la obra de Guido es, de alguna manera, una obra que no cesa de reescribirse. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2024-02-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7324 10.48162/rev.34.080 Cuadernos del CILHA; Núm. 40 (2024): Dossier: Literaturas más allá del librocentrismo. Un enfoque relacional de la cultura literaria latinoamericana; 1-24 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7324/6226 Derechos de autor 2024 María Florencia Antequera
institution Universidad Nacional de Cuyo
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filtrotop_str Revistas en línea
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journal_title_str Cuadernos del CILHA
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author Antequera, María Florencia
spellingShingle Antequera, María Florencia
Ángel Guido, contraarchivista
Ángel Guido
archivo
Redescubrimiento de América en el arte (1940)
Ángel Guido
archive
Redescubrimiento de América en el arte (1940)
author_facet Antequera, María Florencia
author_sort Antequera, María Florencia
title Ángel Guido, contraarchivista
title_short Ángel Guido, contraarchivista
title_full Ángel Guido, contraarchivista
title_fullStr Ángel Guido, contraarchivista
title_full_unstemmed Ángel Guido, contraarchivista
title_sort ángel guido, counter-archivist
description An archival impulse (Foster, 2017) leads us towards Ángel Guido (Rosario, 1896-1960), who devoted his whole life to the cultural nationalism through his architecture, writings, art history, lecturing and university management activities. In this paper, we will examine his final essay (Antelo, 2007) and will refer to the work Redescubrimiento de América en el arte (1940) from the perspective of the counter-archives, i.e., the rewriting and recording of historical narratives to dismantle hierarchies and canons of various hegemonic stories (Cámara, 2022), which opened a discussion about emancipated art and architecture—a concern Guido had had since his youth. The critical exercise herein presented includes inedited texts as well as recovered writings that have not been reedited—the impulse we have followed in a long-lasting breathtaking task to build this archive. This Americanistic Euro Indian archive with which Guido worked is placed in the middle of a still ongoing operation in the arts. Indeed, this does not consist of transcending the traditional problem of the archival collection but of “dislocating” their uses (Antelo, 2014) in order to go beyond a book-centrist approach. Indeed, an archive is never totally completed: its situation will get better and better through the state of archiving (Derrida, 1995), the reason by which Guido’s work, in some way, will not cease to rewrite itself.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2024
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7324
topic Ángel Guido
archivo
Redescubrimiento de América en el arte (1940)
Ángel Guido
archive
Redescubrimiento de América en el arte (1940)
topic_facet Ángel Guido
archivo
Redescubrimiento de América en el arte (1940)
Ángel Guido
archive
Redescubrimiento de América en el arte (1940)
work_keys_str_mv AT antequeramariaflorencia angelguidocounterarchivist
AT antequeramariaflorencia angelguidocontraarchivista
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