La naturaleza en descomposición según las obras de Kathleen Ryan y Samanta Schweblin
The aim of this work is to investigate a common concern in artistic representation: the decomposition of nature. We analyze two contemporary productions, one from the visual arts (Kathleen Ryan’s sculptures and installations) and the other, a literary piece (a novel by Samanta Schweblin). Coming fro...
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| Formato: | Online |
| Lenguaje: | spa |
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Centro de Literatura Comparada
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/6074 |
| Sumario: | The aim of this work is to investigate a common concern in artistic representation: the decomposition of nature. We analyze two contemporary productions, one from the visual arts (Kathleen Ryan’s sculptures and installations) and the other, a literary piece (a novel by Samanta Schweblin). Coming from distant geographies, both artists thematize this decomposition in their respective productions, agains the background of the visual and literary traditions that precede them. Their works question the percentage of “nature” that persists in the environment that surrounds us as well as the interrelationships between subjects, objects, and environments. From a comparative perspective, the dialogue between the two shows similar concerns and artistic resolutions. |
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